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Industry News

Nautel Webinars Resume in March

Radio+Television Business Report
4 years 2 months ago

Nova Scotia-based Nautel has announced a new series of webinars to be held on alternate Wednesdays in March.

The first Wednesday Webinar, tomorrow (3/3) at Noon Eastern, will cover “All-Digital AM featuring the NX Series.”

Following the FCC approval of the MA3 mode of all-digital AM broadcasting in October 2020, many broadcasters have asked what is involved in upgrading, what the different
modes mean, and if there is any benefit for their particular situation.

Nautel and selected guests will discuss these questions as well as equipment capabilities and potential directions for this technology.

FM Digital, featuring the Nautel HD MultiCast+ (HDMC+) HD Importer/Exporter, will be the
topic on March 17 at Noon Eastern.

“There is active discussion in the industry about the pros and cons of fixed purpose embedded hardware vs. software implementations, especially where HD Radio importer and exporter components are involved,” Nautel says. “This webinar will review the evolution of HD Radio for FM, the development and features of the HDMC+, and will cover some of the capabilities of this powerful tool.”

These Webinars join the continuing “Transmission Talk Tuesday” sessions hosted by Nautel’s
Jeff Welton. These round-table discussions bring different topics to the floor for participant input and questions, and feature guest panelists.

Upcoming sessions include an HD Primer on March 9 and a discussion of Single Frequency Networking on March 23. Each TTT Roundtable takes place on Tuesdays at Noon Eastern.

Advance registration is required on all Nautel Webinars and Transmission Talk Tuesday
discussions; visit https://nautel.com/webinars for more information. All Webinars and TTT
sessions qualify for ½ SBE recertification credit.

RBR-TVBR

Radio by the (FCC) Numbers

Radio World
4 years 2 months ago

Every two years, the Federal Communications Commission now is required to publish a Communications Marketplace Report that assesses the state of competition across the broader communications marketplace in the United States. The FCC recently released the second such report.

Broadcasting is one of the many market segments included. The report makes for interesting reading and I recommend you check it out. The discussion of the audio market, including radio, appears on pages 142–156.

Here I thought I’d share six charts from the report that capture various aspects of the FCC’s discussion about trends in U.S. radio.

Station count

The FCC noted that the number of AM and FM stations licensed in the United States, below, has remained steady in recent years, while the number of LPFM stations has increased. It reminded readers that new stations are possible only through new allocations and award of licenses, either via an auction in the case of commercial stations, or a comparative system for non-commercial stations. (Also see my recent related story that compares the 2020 numbers to the year 2000.)

Top 10 radio station owners

To secure the highest ad rates and to compete for advertising market share, the FCC reminds us, stations strive to gain the largest audience of listeners possible to maximize the price for ad time sold. Below it ranks the top 10 largest radio station owners, by revenue.

“These owners control stations that are not confined to particular geographic regions; they are spread out across various geographical markets.” (And here’s a link to what the list looked like in 2006, though from a different research source.)

U.S. terrestrial radio revenue

The FCC observed that radio ad revenue had been virtually flat between 2010 and 2019 but that 2020 was expected to see a drop of around 15% due to the pandemic. “While these numbers are preliminary, the predicted decline in advertising revenue is substantial.”

The chart below also indicates that revenue never fully recovered from the recession following the 2008 financial crisis.

“In a recent report, S&P Global predicts that advertising revenue for terrestrial radio stations will face a tougher road to recovery from the pandemic-induced recession compared to broadcast television stations.”

The chart also captures the growth in revenue from online radio compared to OTA.

Stations by market size

The next image is a scatterplot of the number of stations within a market against the market size, measured by rank.

“The number of radio stations available decreases as the market size decreases, suggesting more choice in markets with higher populations. Not shown in the table, however, are additional choices that listeners have that include satellite and online radio …”

Programming formats for terrestrial radio

The commission said interference issues may have contributed to AM stations favoring talk formats relative to music; 63% of FMs identify with a music format, while only 34% of AM stations do. AMs favor Spanish and ethnic, news, sports, and talk. The percentages of stations that air religion are similar for AM and FM stations. Public and education format stations predominantly use FM. Nearly half of LPFMs are music; about 36% provide religious community programming.

US terrestrial and online radio weekly audience

“While broadcast terrestrial radio remains dominant in some respects … the gap in usage between broadcast terrestrial and online audio has declined over time.”

Over the past decade, the number of listeners to terrestrial radio grew annually around 0.55% on average, while annual growth in online radio was 29%. (Though part of online growth was due to listeners accessing AM/FM broadcasts online, the FCC said the figure below “illustrates the dynamic nature of audio as listeners continue to access online radio across a diverse range of devices.”)

The post Radio by the (FCC) Numbers appeared first on Radio World.

Paul McLane

iHeart Signs Another Podcasting Deal

Radio+Television Business Report
4 years 2 months ago

Film producer Jonathan Glickman’s Glickmania Media and iHeartMedia have announced a joint venture that will include a two-year podcast co-production deal, focusing on a slate of original music-driven podcasts.

The goal is two new podcasts per year.

The collaboration will kick off with this summer’s “Unsung” series, which will be created in partnership with the wildly popular Story Pirates, creators of the number one podcast for kids.

Additional co-produced titles will include the horror-musical “Diane’s Inferno” starring Maya Hawke and Yungblud, written and directed by Lisa Duva with original music overseen by executive producer Zach Dawes; “Lost You On The Dance Floor,” a murder mystery set against the rise and fall of the disco phenomenon, penned by renowned music journalist Matt Diehl; and from Jonathan Ezra and Robbie Roth comes the musical drama/journalism series, “Ballad Of An Outlaw,” which considers would-be Reagan assassin John Hinckley Jr.’s integration back into society.

Adam Jacobson

Roku to Acquire Nielsen’s Advanced Video Ad Business

Radio+Television Business Report
4 years 2 months ago

NEW YORK — Nielsen and Roku have announced a new strategic alliance that the companies believe will help shape the future of media and TV measurement.

As part of a just-signed long-term agreement, Nielsen ad and content products will be integrated into the Roku platform.

For the dominant provider of audience measurement services in the U.S., Nielsen “Always-On” Digital Ad Ratings “will help standardize ad measurement of smart TVs and CTV devices while the implementation of Nielsen Digital Content Ratings will offer publishers insights into the performance of their content.”

Roku will also stand to benefit from the use of Nielsen Total Ad Ratings as it builds out its own unique content.

The collaboration also expands Nielsen’s footprint of smart TVs and other devices, nearing 100 million in total.

This, Nielsen says, allows it “to continue to double down on enabling media sellers and buyers to measure and better monetize addressable advertising.”

And, the agreement allows Nielsen to further advance cross-media measurement product Nielsen ONE.

Importantly, the pact sees Roku agree to acquire Nielsen’s Advanced Video Advertising (AVA) business. This includes Nielsen’s video automatic content recognition (ACR) and dynamic ad insertion (DAI) technologies.

“The acquisition will accelerate Roku’s launch of an end-to-end DAI solution with TV programmers,” Nielsen notes.

The transaction is expected to close in the second quarter of 2021, subject to customary closing conditions.

 

RBR-TVBR

Say Goodbye To Alphonso: It Has A New Name

Radio+Television Business Report
4 years 2 months ago

TV data and measurement company Alphonso in recent months enjoyed renewed and expanded agreements with such broadcasting companies as TEGNA, for its Premion service; CBS; and Cox Media Group.

Now, the entity that made its name by offering “granular TV and OTT measurement” — along with its “rapid closed-loop attribution to local advertisers” — is getting a rebrand.

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RBR-TVBR

TEGNA, Townsquare Lone Decliners Amid Big Wall St. Gains

Radio+Television Business Report
4 years 2 months ago

U.S. financial markets enjoyed widespread gains on Monday. But, not every media company took part in the upward activity. TEGNA, which released its Q4 and full-year 2020 results early Monday, saw its shares decline.

Radio broadcasting company Townsquare Media, which will report its Q4 and full-year 2020 results in two weeks, was also down from Friday.

For TEGNA, shares slipped 18 cents to $18.05 after recently reaching a six-year high.

TSQ, meanwhile, dipped by 20 cents to $10.70. The stock has also been on the rise in recent months.

Key gainers include radio pure-play Saga Communications, up $2.12 to $22.80 in one of its biggest single-say sessions in recent memory. Activity picked up in the afternoon hours, with trading more than four times its average volume.

Radio sector leader iHeartMedia shares now sit at $15, up 93 cents; Entercom shares grew to $4.80, rising 33 cents.

Meanwhile, Nexstar Media Group sits at an incredible $144.21, up $6.66 from Friday. And, Sinclair Broadcast Group is now at $32.65 thanks to a $1.72 gain.

 

Adam Jacobson

Radio One Joins Public File Scoldees

Radio World
4 years 2 months ago

Radio One Licensees, part of Urban One, is the latest radio ownership group to sign a consent decree with the Federal Communications Commission over online public files.

The commission continues to announce settlements with owners large and small in an initiative that became public  last summer.

That’s when it announced agreements with six major groups including Alpha Media, Beasley Media, Cumulus Media, Entercom, iHeartMedia and Salem Media Group. Since then it has announced many more.

These cases are all essentially the same. An owner files for a station license renewal, and the FCC Audio Division suspends the process because online public files aren’t kept up. The licensee acknowledges that and promises to takes steps including appointing a compliance officer, creating a compliance plan and reporting back to the commission by a certain date.

The commission for its part acknowledges that the pandemic caused a dramatic reduction in ad revenues, causing the industry significant financial stress, and drops its investigation. No money changes hands.

In the case of Radio One, the process was prompted by the license renewal application for station WHHL(FM) in Hazelwood, Mo. The FCC said Radio One was unable to certify compliance with the public file requirements during the past license term and failed to certify compliance in its applications because it did not comply with the Political Record Keeping Statute and Rule.

The post Radio One Joins Public File Scoldees appeared first on Radio World.

Paul McLane

A Lone Retailer Returns To Spot TV Activity

Radio+Television Business Report
4 years 2 months ago

The latest Spot Ten TV report as measured by Media Monitors finds that one brick-and-mortar retailer is using spot television to reach audiences than any of its competitors.

It makes Target the lone member of its category on a chart dominated by auto insurance specialists.

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Adam Jacobson

Spot Ten Stability For National Radio

Radio+Television Business Report
4 years 2 months ago

The latest Media Monitors Spot Ten Radio report is out, and for the week ending Feb. 28, there’s not much movement among advertisers using national radio to reach consumers.

That’s actually good news, as this demonstrates brand consistency. Progressive remains the No. 1 paid brand, with more than 57,000 spot plays. Babbel is also a key user of spot radio, as are Indeed and Bank of America-owned Merrill.

New this week: Pfizer, a maker of the approved COVID-19 vaccinations.

Adam Jacobson

Public Media Campaign Raises $98.3 Million to Modernize Minnesota Radio

Radio World
4 years 2 months ago

Two public media companies are celebrating the successful competition of a five-year, multimillion dollar fundraising campaign that worked to transform public radio in the Land of 10,000 Lakes.

Minnesota Public Radio (MPR) and American Public Media (APM) announced the successful completion of “Inspired by You,” a campaign designed to better serve audiences in Minnesota by making some transformative changes to public radio.

[Read: User Report: MPR/APM Build Links With Burk]

The campaign, which launched in summer 2015 and had a goal of raising $75 million by December 2020, passed that goal by raising $98.3 million in all. The funds raised were a combination of cash gifts and planned gift commitments to help transform the organizations’ public service priorities.

“The ‘Inspired by You’ campaign has changed our trajectory as a media organization and accelerated our progress toward being a more equitable, inclusive, diverse and accessible public service,” said Jon McTaggart, president and CEO of American Public Media Group.

Even through the pandemic and recession, “the extraordinary gifts from individuals and institutions enabled us to invest in new ways of connecting with larger and more diverse audiences and with each other,” McTaggart said.

MPR and APR used $53 million in cash gifts to invest in new digital programming, technology and innovation efforts. According to the organizations, advancements in digital technology and on-demand programming have positioned the two organizations to deepen their relevance and connect with audiences in new ways. Planned gift comments that totaled $45.5 million will further strengthen the organization’s endowment.

The impact of the “Inspired by You” campaign has served audiences in many ways including expanding investigative journalism projects and better reflecting audiences in Minnesota. Specifically, campaign support allowed Classical MPR to identify new ways to introduce young people to classical music while the opening of the Glen Nelson Center, an innovation hub and co-working space, worked to boost diversity in Minnesota media.

The funding also allowed the organizations to raise awareness about critical issues impacting APM and MPR audiences through programs like The Water Main, which focuses on a variety of water issues, and the program “Call to Mind,” which fosters new conversations about mental health. Funding also allowed the organizations to increase media coverage of key issues including a program called “Color of Coronavirus,” which calculates the disproportionate effect that COVID-19 was having on people of color.

“I am amazed and humbled by the generosity we’ve seen since launching ‘Inspired by You’ five years ago,” said Randi Yoder, senior vice president and chief development officer of APM. “This is a recognition by our community and funders across the nation of the importance of public media in our daily lives and longevity of its mission.” In turn, Yoder said, this generosity allowed APM to redefine the role that a public media organization can play.

“We have the potential to form connections, introduce new voices, and inspire change — we are so much more than a radio station,” Yoder said. “This period of national rebuilding is when our public service is needed most.”

 

The post Public Media Campaign Raises $98.3 Million to Modernize Minnesota Radio appeared first on Radio World.

Susan Ashworth

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