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Industry News

GeoBroadcast Proposed Rule Change Hits Federal Register

Radio+Television Business Report
4 years 4 months ago

It was adopted by the FCC on November 20. Now, it has formally appeared in the Federal Register. 

The Commission is open to receiving comments associated with its Notice of Proposed Rulemaking to enable FM booster geo-targeting capabilities.

Specifically, the FCC wants input on whether it should modify its rules governing the operation of FM booster stations by FM radio broadcasters to enable geo-targeted content “in limited circumstances.”

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Adam Jacobson

CP Communications Helps Accelerate Remote Production for Trans Am Series

Radio+Television Business Report
4 years 4 months ago

ST. PETERSBURG, FLA. — CP Communications has joined forces with a producer of sports and documentaries to “demonstrate the value” of remote production models for sports and live events.

Greenlight Television produced and live-streamed the muscle car racing championship known as the Trans Am Series for fans worldwide — and it did so by using IP and bonded cellular systems from CP Communications.

Greenlight Television is the first company to provide helicopter coverage for the Isle of Man Tourist Trophy motorcycle races in 1996, and the first to produce live HD coverage of the Royal Automobile Club’s Tourist Trophy from Silverstone in 2008.

In late 2019, Greenlight was asked by the Trans Am Series to develop a quality live stream — without the costs of an Outside Broadcast Truck. It developed a solution. “As the pandemic changed the live sports production model, Greenlight Television found a like-minded partner in CP, and one that had the appropriate remote production knowledge, infrastructure and experience,” CP says.

“We do a lot of live streamed events for clients with a range of budgets, and simply cabling cameras to optimize redundancy can quickly escalate costs, let alone using a full production truck,” said Lauren Roberts, Director of Greenlight Television. “We made the commitment to invest in bonded cell technology and CP Communications were instrumental in helping us implement that new technology. The success of the live On Board Camera systems deserve a special mention and CP’s assistance in developing them was invaluable.”

CP Communications established its Red House Streaming (RHS) brand in 2018 to evolve live content acquisition, while strengthening convergence with Remote Integration Model (REMI) production techniques. The RHS unit houses CP’s own content acquisition systems, plus third-party products, including Mobile Viewpoint (MVP) live encoding, bonding and streaming solutions.

Leveraging 12 MVP Agile Airlink encoders for six in-car systems, four fixed camera positions, a roaming pit and podium camera and a drone, the small local crew captured the fast-paced action live in HD. All content was delivered to Greenlight’s remote production studio on the Isle of Man in the Irish Sea, with CP Communications providing real-time production support from its distributed network operations center (NOC). The live cut feed was sent back to the commentators at the track, and then streamed back to the Isle of Man. Voice and graphics were then added to the final live stream, all with a latency of only 1.6 seconds.

CP Communications CEO Kurt Heitmann emphasized how the company’s increased reliance on IP and bonded cellular systems, along with the now-proven viability of their remote production model, has forever changed the cost and labor structure for sports and live event production.

“The traditional production approach for this kind of event would require a mobile production truck, an RF unit, and a seemingly endless amount of fiber, technicians and production equipment onsite,” Heitmann said. “Working with partners like Greenlight who embrace the REMI model substantially reduces costs. The new generation of live event television is here and it delivers cost-effective acquisition with remote management, and the ability to make the entire content chain far more efficient.”

From its Isle of Man production studio, Greenlight live-streamed the race, driver interviews and other content direct to consumers over multiple platforms (including Facebook and YouTube) using Vimeo’s Livestream Studio 6 platform. Greenlight used a Unity intercom system to communicate with on-location crew and engineers at CP’s Canadian NOC, where the Airlink servers were controlled using MVP’s LinkMatrix management portal.

“From Nova Scotia we consistently optimized all Airlink encoding and multiplexing settings based on local conditions, assisted with stream routing, and provided continuity checks as Airlinks came online for each race,” said Allen Harris, Lead IP and Bonded Cellular Technologist for CP Communications. “The NOC reduced the workload in Greenlight’s control room, removing any concerns about backhauling signals so that they could concentrate on producing great content.”

Roberts emphasized that the end-to-end production workflow and technical infrastructure helped them substantially reduce headcount compared to the “traditional way” they produce events. “We typically have a large crew for these kinds of events, and reduced that number to 10 for the Trans Am Series,” she said. “That’s a massive reduction in labor costs, and a far more efficient process for setup and breakdown. We admit to being nervous about the implementation of our idea, but CP helped us every step of the way. We’re delighted with the results and excited for the future.”

— Brian Galante

RBR-TVBR

Wade Davis Shakes Up Univision’s C-Suite In A Major Way

Radio+Television Business Report
4 years 4 months ago

On December 29, Searchlight III UTD and ForgeLight‘s acquisition of a majority stake of Univision Holdings formally closed. As such, Searchlight, a private investment firm founded by CEO Wade Davis, and associated entity, ForgeLight — an operating and investment company focused on the media and consumer technology sectors — are now the holders of shares in Univision previously held by Madison Dearborn Partners, Providence Equity Partners, TPG, Thomas H. Lee Partners, and Saban Capital Group.

As expected, Davis assumed Univision’s Chief Executive chair from Vince Sadusky.

What wasn’t expected: a major house cleaning in Univision’s C-Suite.

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Adam Jacobson

A ‘Digital Sales Training Library’ Arrives

Radio+Television Business Report
4 years 4 months ago

P1 Learning has teamed up with Marketron to expand the resources on digital advertising that are available to media sales professionals in the Marketron Learning Center, an online training platform that provides best practices, how-tos, industry information, and product guides.

“Today’s sales professional prefers bite-sized modules, so P1 Learning’s library of over 2,000 courses was exactly what we needed when launching Marketron’s NXT Training Academy,” Marketron Senior Manager, Digital Transformation & Enablement Jeff Ulrich said. “P1 Learning’s industry-specific videos have helped us quickly scale our sales enablement efforts. The measurable increases we’re seeing in learning engagement will undoubtably lead to further revenue growth for our customers.”

P1 Learning’s digital ad sales courses are designed to train sales professionals on the essentials of interactive media and how to build successful customer programs integrating both traditional and digital assets.

“We pride ourselves on being responsive to the needs of our industry and short, up-to-date and easily understandable digital sales courses continue to top the list,” said Bryan Marriott, President and GM for P1 Learning. “It’s an honor to become the preferred training provider to one of the most highly respected broadcast-based companies around.”

All Marketron NXT and Pitch customers have access to a digital education and sales training program that includes portions of P1 Learning’s video-based training content focused on selling digital advertising.

RBR-TVBR

How WTOP Covered the Assault on Congress

Radio World
4 years 4 months ago
The crowd overruns and adapts barriers at the U.S. Capitol in this photo by WTOP’s Alejandro Alvarez.

Even before pro-Trump protestors gathered at Washington’s Ellipse on Jan. 6, 2021, journalists at WTOP, Hubbard Radio’s highly rated all-news radio station, were aware that it would be no ordinary political rally.

“We knew that there were going to be a lot of people in attendance,” said Director of News and Programming Julia Ziegler. “We knew which groups had permits to be there — there were many of them — and we knew that the president would be speaking. So you had all the makings of a very large event.”

Still, it was shocking when the election protest and rally turned into violent attacks in and around the Capitol building. When it did, the three WTOP reporters on site and the entire WTOP news team kept Washington informed.

Ready for trouble

There were signs that the rally would be emotionally charged. The president had spent two months fanning political division with unfounded assertions about a rigged election. Even the name of the event, the “Save America Rally,” was designed to stoke fury as the joint houses of Congress were ratifying Joe Biden’s Electoral College victory down the street.

Still, there have been emotionally-charged political rallies in Washington over the last year. WTOP field reporters Alejandro Alvarez and Ken Duffy knew to keep a low profile by using their consumer smartphones to file reports and capture/file photos, audio and video back to the station.

“In these kind of tense situations, you always have to think about what makes you a target as a reporter,” said Ziegler.

“So if you’re a journalist out there recording on your phone, you can mix into the crowd where everyone else is using their phones.”

Given the subsequent events — with protestors painting “Murder the Media” and smashing an Associated Press camera position, and with subsequent videos emerging of crowd confrontations with other journalists — their caution seems prudent.

“We always tell our reporters to pull back as need to stay safe,” she added. “At certain points during that day, they had to.”

Getting news to the station

The downside of using smartphones at public events is that wireless networks are prone to slowing down due to traffic.

WTOP’s reporters relied on WhatsApp to get their audio and text messages back to the station. They have found WhatsApp to be pretty reliable even when cell service starts to fail. They also use Skype and Slack as well. For video, WTOP uses Slack or pulls videos from Twitter.

“The fact that WhatsApp sends out content as soon as you record it really helps,” said Ziegler. “You don’t have to upload or download it after recording: It just goes.”

Those incoming feeds turned up on a common channel that is shared among the WTOP newsroom staff so that everyone can see what’s coming in as it arrives.

Capitol Hill Correspondent Mitchell Miller was at his broadcast booth at the House of Representatives, keeping an eye on the joint session.

Equipped as it is with a suite of links back to WTOP, Miller was in place when doors and windows were smashed and people started breaking into the Capitol building. He provided a steady stream of reports about the invasion no matter what was going on.

“Mitch is fabulous. He’s been with WTOP for a very long time, and he’s just one of those reporters who gets it and understands what the audience needs to hear in that moment,” said Ziegler.

“Whether during the lockdown or afterwards when he was being evacuated along with the Capitol Hill staff, Mitch kept us fully informed with multiple reports per hour as the situation evolved.”

Miller wrote after the event: “When guns were drawn and furniture was moved to block an invasion of rioters from the U.S. House chamber, the danger here at the Capitol was very clear. My broadcast booth is located across the hall from the House chamber, and as the Capitol went into lockdown, the doors of the area where I work with other Capitol Hill reporters were locked for safety.

“Every door that shut loudly, along with the dull roar of people inside and outside of the Capitol, ratcheted up the tension.”

He continued: “When we found out that a woman had been shot inside the Capitol, concern for everyone’s safety continued to rise. I later learned that the shooting happened just a floor below us, in an area known as the Speaker’s Lobby, which is outside the House chamber. I was also alarmed when I saw all the protesters gathered on the steps of the east side of the Capitol. That never happens.”

Despite the danger around him, “I continued to report on the events in real time, all the while trying to remain fully aware of my surroundings, which were troubling, to say the least,” he wrote.

“Late Wednesday afternoon, we were told by the staff in the House Radio and TV Gallery that everyone in our area needed to evacuate … We quickly gathered up our broadcasting equipment and started moving through the maze of underground tunnels that connect the Capitol to the House and Senate buildings. We were escorted to a media room in the Rayburn Office Building. We were able to still report on what was happening as we essentially sheltered in place, as lawmakers and staff members were doing.”

WTOP field reporter Alejandro Alvarez was outside watching the angry crowd as the president’s incitements spurred the crowd to violence.

“There was one precise moment I can point to when I realized that something immeasurably terrible was underway,” wrote Alvarez afterwards.

“It was in the middle of President Donald Trump’s speech, shortly after he had urged his supporters to head for the Capitol … ‘Move forward, patriots, we’re taking the Capitol,’ was one of the first things I heard on arrival at the West Lawn, where the air stung from lingering mace … ‘We’ve been nice for too long,’ I heard someone yell. And another: ‘Where are the gallows?’”

Later in the day, Ziegler said, “There was one point where Ken Duffy was live when the police were repelling the protesters. He’s describing what’s happening to him in the moment and saying things like, ‘Stay with me, Shawn [WTOP anchor Shawn Anderson], give me just a second. I’m getting pushed back. I need to move over here.’ When you hear that, it’s just so captivating, and we had so many of those moments.”

Photo by Alejandro Alvarez of WTOP shows people on scaffolding intended for the upcoming inauguration. One sign reads, “We the people will bring DC to its knees. We have the power.” In the newsroom

As the afternoon’s chaotic events unfolded, news staff at the station’s broadcast facilities just across the District border in Chevy Chase, Md., worked to get the news to air.

The hub of the action took place in WTOP’s open newsroom, whose numbers had been depleted due to people working at home thanks to COVID-19.

“Normally we have everyone together in the same room — our broadcast, on-air, and web staff — so that there’s constant one-to-one yelling of information back-and-forth,” said Ziegler.

“To include at-home workers in this during the pandemic, we set up a open conference line and speakerphones so that everyone on shift can talk to and hear each other, whether they are in the newsroom or not.”

This open line of communications made it easy to share news from Capitol Hill as it came in. Meanwhile, whenever someone got swamped by the rush of information, other staff members stepped into help.

“It may sound corny, but we really work as a team,” said Ziegler. “It’s how we’re able to do what we do.”

During its wall-to-wall coverage of the insurrection, WTOP dropped commercial breaks from mid-afternoon Jan. 6 going into the next morning. “But we kept the other breaks built into the clock such as traffic and weather every 10 minutes, sports at :15 and :45, and business at :25 and :55,” Ziegler said.

“Maintaining the traffic reports was incredibly important, because the impact of the riot on traffic was a big part of the story. This said, the rest of the broadcast just flowed organically, as usually happens during a breaking news event.”

A couple of days after the assault, with additional images of Jan. 6 violence against both law enforcement and journalists emerging on social media, Alvarez wrote in a tweet, “I have plenty of colleagues on this beat who’ve been attacked or arrested. You know the risks but can’t help but wonder if your next assignment is the one you won’t get to walk away from safe and sound. It’s always at the back of my mind.”

More trouble to come?

Not long after the assault had ended and a curfew implemented, the building was protected by a seven-foot metal fence and the National Guard. Joe Biden had been confirmed as winner of the presidential election, and his inauguration was set to proceed on Jan. 20 — without President Trump in attendance.

The WTOP news team was pressing on to cover the aftermath, as the nation wondered how Trump’s last days in office would unfold, and reports surfaced of further threats against public officials and public buildings between now and the inauguration.

Ziegler expressed pride in WTOP’s team and how they have endured a year of crisis.

“We have gone through COVID, all the protests all throughout the summer/fall of 2020, and then the election. So we’ve been running a marathon and with the inauguration still to come, it’s still not over.

“Journalists are mission-driven people,” she said. “Our purpose is to help people, and our mission at WTOP News is to make sure that we are providing our community with everything they need to know about the biggest stories of the day. [Jan. 6] was huge from many different perspectives, but it’s not the only huge story we’ll be covering this year.”

 

The post How WTOP Covered the Assault on Congress appeared first on Radio World.

Paul McLane

Townsquare Media Enjoys A Post-Election Day Stock Burst

Radio+Television Business Report
4 years 4 months ago

Between July 13 and November 5, 2020, Townsquare Media shares were rather stagnant, trading in the mid-$4 range for much of the period.

It was a far cry from the first days of February, when a $10.25 closing price was seen and many Wall Street observers noted how the local digital and audio company had enjoyed two solid years of share growth.

It appears the election of Joe Biden as U.S. president may have served as some sort of spark for TSQ, given its performance over the last nine weeks.

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Adam Jacobson

FCC Sets Deadline for Geo-Targeting Comments

Radio World
4 years 4 months ago

The Federal Communications Commission has announced the deadline for public comments about its proposed rulemaking for FM boosters and geo-targeting.

Comments are due Feb. 10, 2021. Reply comments must be submitted by March 12. Comments can be filed via the commission’s online portal; refer to MB Dockets 20-401 and 17-105.

Comments must be submitted no later than Feb. 10, 2021. Reply comments must be submitted no later than March 12.

The commission proposes to let FM broadcasters use FM booster stations to air geo-targeted content independent of the signals of a primary station within different portions of the primary station’s protected service contour for a few minutes during each broadcast hour. The goal is to provide hyper-localized advertising, information and other content.

As we’re reported, this is a proposal being driven by GeoBroadcast Solutions, a company that has a proprietary technology called ZoneCasting that it wants to bring to market.

[Read: “FCC Asks for Comments on FM Geo-Targeting”]

Commissioners Geoffrey Starks and Brendan Carr recently have worked together to bring the proposal to this point.

Then-Commissioner Michael O’Rielly expressed concern in November that the proposal was moving too fast, given the “substantial implications for reshaping FM radio policy and the radio advertising marketplace.”

The post FCC Sets Deadline for Geo-Targeting Comments appeared first on Radio World.

Paul McLane

A Peak Deal For a Sinclair-Managed FOX Performer

Radio+Television Business Report
4 years 4 months ago

Travel some 90 minutes to the east of Pittsburgh, and you’ll find yourself in the Johnstown, Pa., media market.

Here, Sinclair Broadcast Group owns and operates NBC affiliate WJAC-6, which airs The CW+ national network feed on a digital multicast channel. Sinclair also operates two other stations in the market, via somewhat complex master service arrangements.

Now, one of those stations is shifting from its licensee to its Time Brokerage Agreement partner — an entity with a long history of letting Sinclair handle most of the operations.

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Adam Jacobson

Auto Insurers Ignite Ad Spending At Spot TV

Radio+Television Business Report
4 years 4 months ago

Take a glance at the latest Media Monitors Spot Ten TV report, and you’ll see one matter of fact as clear as today: auto insurance brands are as competitive as ever.

And, they’re spending money at spot TV.

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Adam Jacobson

A New Programming Head Set For Scripps’ Nat’l Nets

Radio+Television Business Report
4 years 4 months ago

He has more than 30 years of programming and production experience, having held leadership roles at Viacom, The Walt Disney Company and CBS.

Most recently, he led programming strategy for MGM Global Networks’ linear and digital networks.

Now, he’ll serve as the head of programming for The E.W. Scripps Co.’s national TV networks business — which now incorporates ION Media’s brands.

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Adam Jacobson

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