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Issued a Notice of Apparent Liability for Forfeiture in the amount of $1,500 to Pirate Radio Group, LLC, for failure to timely file a license renewal application for FM translator station W281CH, Washington, North Carolina

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Issued a Notice of Apparent Liability for Forfeiture in the amount of $1,500 to CTC Media Group for failure to timely file a license renewal application for FM translator station W282CQ, Bridgeton, North Carolina

Issued a Notice of Apparent Liability for Forfeiture in the amount of $3,000 to Radio Hatteras, Inc., for failure to timely file a license renewal application for Station WHDZ(FM), Buxton, North Carolina

Issued a Notice of Apparent Liability for Forfeiture in the amount of $1,500 to South Caldwell High School for failure to timely file a license renewal application for Station WSEQ-LP, Hudson, North Carolina

As a loyal Radio World reader you are entitled to something more than the mere rantings of a third-tier ex-disc jockey. Thus I’m going to share with you the coolest Christmas event we ever ran during my so-called radio career. Feel free to steal it!

Today, many stations might be tempted to tie this promotion in with some politically correct charity such as the free shoes program for underprivileged Albanians. Some stations will try to share it with the other 300 stations in their chain and together give away one trip to watch Leonardo DiCaprio’s jet spew carbon emissions all over the world. None of that is necessary. The beauty of this idea is its simplicity.

In the ’60s and ’70s you may remember an inexpensive device called a color organ. You could buy one in kit form from Radio Shack for about $12. The basic part was a frequency splitter, though it was often installed inside a speaker-like box with a fogged plastic front and multicolored lights on the inside which lit at select frequencies, creating a light show on the plastic panel.

With a little patience you could connect it to a radio under your Christmas tree and drive a string of holiday lights, watching the bulbs respond to the different frequencies in the music. In our case bass tones triggered blue lights, mid-tones caused the green lights to pulse and high notes made the red lights blink. Now I don’t know anything about this first-hand but I heard that if one were stoned this was a very special treat to watch.

Far out, man!

At WOHO(AM), Toledo, Ohio, we had a gifted engineer, Bob Sowers, who did this on a larger scale. He connected a color organ to a radio, and ran the audio into a string of 150 large outdoor display lights.

[Read: Adventures in 1970s Radio: How Desperate Was I?]

Once he got it to work, we could put our plan into action. After receiving permission from a local strip mall we erected a 40-foot blue spruce tree in its parking lot about two weeks before Christmas, and hired a cherry picker to drape our lights over the entire tree. At the base of the spruce was a locked box that contained a radio that was hard-wired to receive our station. Our air signal was sent to the lights via the color organ. We also blasted WOHO through some PA speakers near the tree. Every night we sent someone over to turn on what we dubbed “The WOHO Carol Tree” at sunset.

It was magic.

The public turned out by the thousands to sit in the dark, listen to our station on their car radios in the parking lot and watch the colorful pulsing lights with fascination. Guys took their girlfriends there to make out; parents took their kids because it was cheaper than a drive-in movie. Every evening from sundown until about midnight, for several winters in a row, ours was the hottest ticket in town.

One song in particular, “Green Tambourine” by the Lemon Pipers, had a pulsing drumbeat that was memorable to witness in living color. Our jocks were aware of this and played the song every hour because it drove the crowds wild. Even commercials were fun to “watch.”

I think the tree cost the station about $400. The crane rental and construction of the lights (which could be stored and used again) was about $450. Permission from the shopping center: free.

It was a groovy way to celebrate the season so I shout: on, Donder, on Sneezy, on Zeppo! And a free-range, gluten-free Christmas to you all!

Ken Deutsch was a DJ in the days of three Bs: bubblegum, Beach Boys and Beatles. He is now a closed-caption transcriber and advocate for the deaf/hard of hearing.

 

The post Adventures in 1970s Radio: The WOHO Carol Tree appeared first on Radio World.

TiVo and Xperi are entering into a happy new union, with the two companies announcing that that have agreed to combine in an all-stock merger that values at $3 billion. Together, they say they will create a “leading consumer and entertainment technology business and one of the industry’s largest intellectual property licensing platforms with a diverse portfolio of entertainment and semiconductor intellectual property.”

With this merger, TiVo is expected to provide its content aggregation, discovery and recommendation capabilities with Xperi’s product capabilities in the home, automotive and mobile device ecosystems, helping consumers enjoy content anywhere, anytime, the two sides said.

The intellectual property licensing platform that will be offered by this newly formed company will reportedly serve markets in entertainment content, consumer electronics and semiconductors, and includes more than 10,000 patents and applications between TiVo and Xperi, TiVo said.

“There is more content, and more ways to enjoy that content, than ever before,” said David Shull, CEO of TiVo. “In a rapidly expanding and fragmenting digital universe, consumers want and need to be able to easily find and enjoy the content that matters to them. TiVo has always been the company that brings entertainment together. Now, we can significantly expand our mission. With Xperi’s annual licensing of more than 100 million connected TV units, and complementary relationships with major content providers, consumer electronics manufacturers and automotive OEMs, our combined company will transform the home, car and mobile entertainment experience for the consumer.”

The new parent company will take the Xperi name but will still provide entertainment services under the TiVo brand, alongside Xperi’s DTS, HD Radio and IMAX Enhanced brands.

This merger will take the place of TiVo’s plans announced earlier this year that it was going to separate its product and IP licensing business.

Jon Kirchner, Xperi’s CEO, will take on the same role in the new parent company, with Xperi CFO Robert Andersen also serving as the parent company’s CFO. Shull is tapped with continuing as a strategic advisor to help out with the transition.

The merger has been agreed to by the board of directors of both companies and is expected to close during the second quarter of 2020, subject to regulatory approvals.

The post Xperi Announces $3B Merger With TiVo appeared first on Radio World.

SiriusXM with 360L — the “L” presumably stands for “Listening [experience]”? — is the rebranded and extended form of the satcaster’s user interface and platform. It “delivers content via both satellite and streaming” in and out of the car, SiriusXM says. (Both a Connected Access plan and a SiriusXM All Access or Select subscription are required.) 

Note that dash photos do show AM and FM radio buttons.

[Read about SiriusXM’s Pandora purchase] An excerpt from a tip sheet SiriusXM created for car dealers to promote the SiriusXM with 360L rollout.

“SiriusXM with 360L transforms the way we listen to audio in the car by marrying our satellite network to embedded connectivity in vehicles. This allows for significantly more channels and choices,” SiriusXM Sales and Automotive EVP Steve Cook said in a press release.

360L debuted with the 2019 Ram 1500, and is now poised to massively increase its footprint. General Motors says SiriusXM will be included in 13 Buick, Cadillac, Chevrolet and GMC 2020 model year vehicles, adding up to about 1 million automobiles.

Based on the platform and app’s capabilities, it seems SiriusXM has integrated technology and know-how it gained through its 2019 Pandora acquisition. In addition to the 200+ live SiriusXM channels, 360L features on-demand programming options, content recommendations, sports play-by-play and official game broadcasts. The platform also enables “multiple drivers and passengers to customize and maintain their own presets and favorites” through individual vehicle profiles. Profiles can be tweaked in-car or using the SiriusXM app, or U.S. customers with a Remote Access Plan can designate “favorites” through apps specific to their vehicle’s make, which will then sync to the linked infotainment system. 

The apps can also be used to manage SiriusXM subscriptions, and GM says it will offer a free three-month trial of SiriusXM with 360L to those who buy the equipped 2020 vehicles. 

360L also appears to be the next step to increasing SiriusXM’s automotive presence after the 2018 launch of its Automatic connectivity service for car dealers.

The post General Motors Adds SiriusXM With 360L to Some 2020 Models appeared first on Radio World.

WMMS’ Cleveland Buzzard hatched 45 years ago, the product of a rebrand idea from Program Director John Gorman and Music Director Denny Sanders, executed by artist David Helton. 

Helton hadn’t planned on creating this “rock star” for WMMS — he had originally sent in a complaint about the station’s programming — in the form of a cartoon.  The move caught John Gorman’s attention, and the rest is history. 

The Buzzard was introduced in the alternative weekly, Zeppelin, in April 1974 (shown at left). The public embraced him, and the popularity of the rock radio station skyrocketed, with the Buzzard at the helm. Over the years, the Buzzard appeared on all manner of swag, large and small:  bumper stickers, shirts, glassware, mugs, and even vehicles. He represented WMMS in print and TV ads, billboards, parade floats and murals. He also had his own publication — The Buzzard News — an internal comic that tracked what was happening at the station in the 1970s. 

The Buzzard is still a WMMS, and Cleveland, icon even as the station celebrated its 50th birthday in 2018. The station is currently owned by iHeartMedia. 

Helton hasn’t been an employee of Malrite Communications, then owner of WMMS, since 1989, but he didn’t have to dig too deep to draw a special illustration for a feature story in the Cleveland Scene (left). The Buzzard may be older, but he’s not forgotten. 

For Buzzard fans who want to get a little nostalgic, Helton is selling some of his vintage swag online. Visit www.davidheltonillustration.com.

REFERENCES

Learn more by reading these articles:

• www.clevescene.com/scene-and-heard/archives/2018/08/16/a-brief-history-of-the-wmms-buzzard
• www.chattanoogapulse.com/buzzard-luck/
• https://buzzardbook.wordpress.com/

The post See the Evolution of the “WMMS Buzzard” appeared first on Radio World.

AMSTERDAM — Visitors to the main radio area of the recent IBC exhibition may have noticed a striking hand-drawn white cardboard stand in the adjacent “Future Zone.”

The hand-drawn cardboard Project MARCONI stand at IBC2019.

This was the home of Project MARCONI [Multimedia and Augmented Radio Creation: Online, iNteractive, Individual] and HRadio, both funded by the European Union’s Horizon 2020 research and innovation program.

The project consortium includes public broadcasters NPO in the Netherlands, and Belgium-based VRT, alongside technology companies and academic partners. Together, they aim to improve radio experiences by enabling fully interactive and personalized radio solutions, integrating broadcast radio with digital and social media.

Rik Bauwens is lead developer for VRT Innovation.

PERSONALIZED RADIO SOLUTIONS

In a live demonstration at IBC, MARCONI highlighted the technologies behind the project: different software tools integrated in a dashboard, using AI-powered chatbots and content analysis. The project showed engagement with listener content by replying to messages, dragging and dropping them into the radio program, and playing their footage on a screen on the other side of the stand.

Rik Bauwens, lead developer for VRT Innovation, describes how the project came about. “MARCONI was preceded by the ICoSOLE project, which focused on user-generated content during live events. For MARCONI, we narrowed this down to music events, such as festivals, in a radio context. Together with some of the ICoSOLE partners, additional technical companies, radio software provider Pluxbox, and radio teams from VRT and NPO, we drafted the MARCONI project.”

Bauwens explains that matching novel technological solutions such as face detection and chatbots to a contemporary radio workflow was the biggest challenge for the project.

“To address this, we started by organizing co-creation workshops with both radio content producers and their listeners. Subsequently, we held observations with radio teams at VRT and NPO to get to know their current tools. We adopted an agile development process with week-long sprints and a stand-up with project partners every Monday, to continually evaluate and adjust our prototypes.”

EXPERIMENTATION

The EU funding has also been helpful, he adds. “First, it allows us to experiment next to a live radio production; it gives us the freedom to start over very quickly if needed. Second, it allows us to organize open piloting with other radio stations in Europe, to get even more feedback.”

VRT is involved in both Project MARCONI and HRadio. “The use cases are different but complement each other very well,” explains Bauwens.

“MARCONI focuses on creating tools for radio-makers to handle novel ways of interaction with their audience. HRadio offers an end-user experience for radio listeners, such as rewinding live radio, participating in polls via DAB+ using a radio webview and so on.”

The aim for MARCONI is to offer a new toolset to radio stations by the end of the project in March 2020, with open pilots taking place until then. “Possibly, MARCONI gets a sequel in the years to come,” VRT’s Bauwens says. “Aside from interaction, visualization and extensive automation would be important topics for us.”

The post Project MARCONI Brings Stations Closer to Listeners appeared first on Radio World.

Revised sections 76.970(h) and 76.975(e) are effective December 18, 2019.

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The Media Bureau grants a request for an extension of the reply comment date in MB Docket 19-363

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Dave Burns has died.

According to an obituary on Legacy.com, Burns was 76 and died after a short illness. He is shown in the accompanying photo from his Facebook page.

Readers who were active in the industry’s equipment supply industry of the 1980s and 1990s will remember Burns from his tenure in sales and marketing.

According to earlier RW coverage, Burns began his career as a salesman for Roy Ridge at Allied Broadcast Equipment, which later was known as Harris Allied and eventually Harris Corp.’s Broadcast Division. He also worked as a consultant to several companies, and in 2002 joined Klotz Digital America as director of broadcast business development.

In retirement he remained passionate about radio in retirement and was active in online communities.

[See a photo Burns submitted in 2013 to RW in “Here’s Looking (Up) at You, WLW”]

According to Legacy.com, Burns died Tuesday at Hospice of Southwest Ohio. Condolences may be sent to the family at www.stegallberheideorr.com.

 

The post Dave Burns Dies, Was Retired Broadcast Tech Sales Exec appeared first on Radio World.