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Industry News

A Genset Mandate? Only if Uncle Sam Pays

Radio World
3 years 5 months ago
(Getty Images/Pias Rahman)

The author is vice president and secretary of Seven Ranges Radio in St. Mary’s, W.Va.

The FCC is discussing adding requirements for backup power at radio stations and other key communications providers, in order to maintain service during emergencies.

A worthwhile idea — but it’s not going to happen without federal money.

In 2012 a “derecho” hit our market of some 20 stations. This straight-line wind event shut down power for a wide area. The next morning, only my suburban B-1 FM and an AM station in town were on the air carrying emergency information.

For most small to medium-market stations, the proposal is not going to happen unless the government pays for generator installation. Even for a small plant, generator installation can start at $7,000 and go up from there. And these small systems need continual, annual maintenance.

And that’s in “fly-over” country. In the East and West, infested with bureaucrats, installation costs may be double or triple that in order to satisfy all the government agencies.

I own three stations in Market No. 242, two FMs and a full-time AM, plus a fourth Class A FM at a small town some 40 miles out of the market. Also in this market are another five AM stations, five non-com FMs and seven commercial FM signals.

In town we have a full-time AM and a Class A FM. The AM tower is at the AM/FM’s studios. Our suburban B-1 is at a combined studio/transmitter site 20 minutes from downtown. Our fourth FM is programmed from there. Both studios have generators, and  that out-of-town FM has one at the transmitter site.

We installed our first generator some 25 years ago at our suburban B-1, not specifically for emergency broadcast but because the local public utility was so unreliable. It proved its value in 2012 when the “derecho” toppled several transmission towers at the local power plant. We were on generator power for a week.

But the transmitter site for our in-town FM has no backup. We’ve talked about installing a generator, but between COVID slowing sales and a certain government agency sucking up around $7,000 each year in “fees,” that’s been put off again this year. On our same tower at that site are a local non-com plus translators for four of the six AM stations in town.

But we are in better shape than the rest of the market. The “big group” owner in town doesn’t have working backup at any of their three FMs, nor at their studio. The other group owner can power three of their four FMs if someone goes out to start the generator manually. But they have no backup power at the studio.

One AM — also locally owned by former NAB board member John Wharff — has backup power for his station and its associated translator. His was the only station on-air in town the day after the derecho. But that’s the roster.

Come another big storm, our two AMs and my suburban B-1 will be the only sources of emergency information.

Require backups?

Should the FCC require communications providers including broadcasters to have backup power provision? Comment to radioworld@futurenet.com.

The post A Genset Mandate? Only if Uncle Sam Pays appeared first on Radio World.

Tom Taggart

Delving into Quirky, Compelling Corners of the Internet Radio Universe

Radio World
3 years 5 months ago
Peter Skiera

From a radio station that streams from underwater to a station composed of stream-of-consciousness thoughts from a New Yorker calling exclusively from payphones, there is a wealth of unique, charming, niche and bizarre internet radio stations out there online.

Radio World spoke with Peter Skiera, the creator and author of the “Recommended Stations” website that uncovers and highlights stations that listeners might not be able to uncover on their own. “Given that there’s over 61,000 internet radio stations from around the world, people understandably get overwhelmed trying to find stations, and they never discover many really good stations,” he told Radio World. “I figured it was time somebody sifted through all of these stations and made recommendations.”

The interview has been edited slightly for length and clarity.

Radio World: For the uninitiated, can you tell me a bit about the Recommended Station list and what it offers listeners?

Peter Skiera: The point of my monthly Recommended Station list is to make radio and music enthusiasts aware of different, interesting, great radio stations they probably would never have discovered on their own. Last month I recommended a station that specializes in music from the early 20th century. This month I recommend two holiday stations, both very different from what one would normally expect from a holiday station. Next month’s Recommended and Hitchhiker Stations are associated with outer space.

Once someone joins the Patreon membership platform for $1, they get access to all of the stations I’ve recommended, as well as future recommendations and occasional blog content. I just want to try to recover my website and blog expenses since this endeavor is entirely self-funded. I don’t accept advertising on my website, no companies sponsor my articles, and I don’t earn a commission for recommending a station or a CD or LP.

RW: Before we get to an explanation of what a “hitchhiker station” is, could you share the backstory on the creation of this service?

Skiera: There are people who recommend audio equipment, books, movies, restaurants, cars so why not internet radio stations? Given that there’s over 61,000 internet radio stations from around the world, people understandably get overwhelmed trying to find stations, and they never discover many really good stations. I figured it was time somebody sifted through all of these stations and made recommendations.

So I started writing Recommended Station articles for an audio company’s blog about every six months, highlighting between six and nine standout internet radio stations, really going into great deal detail about them, including interviewing station founders or music directors to get the story behind the station.


A couple of readers emailed me suggesting I put out a monthly Recommended Stations newsletter rather than writing an article every six months. It was a good idea, but finding and vetting stations is a lengthy process and there was no way I could come up with six or nine stations every month for a newsletter. I got the idea to do one Recommend Station a month along with one Hitchhiker Station and linked my recommendations to Patreon to help support my music-related blog. As far as I know, I’m the only person in the world who recommends internet radio stations on a monthly basis and purposely seeks out bizarre stations.

RW: Tell us a bit about the unearthing of a Hitchhiker Station? What do these stations do?

Skiera: I call them “hitchhiker” stations because searching internet radio is akin to picking up hitchhikers on the highway. You don’t know if the person getting into your car is a college professor or a serial killer. Honestly, I think I get more excited when I find a Hitchhiker Station than I do a Recommended Station because they’re so rare. I love discovering bizarre stations that would not exist were it not for the internet. Granted, they’re not stations you’d probably listen to for an extended period of time, or perhaps not at all, but it’s fascinating to learn about them.

RW: It’s surprising to hear how many free internet radio stations are out there. Can you tell me a bit about some of the niche stations you’ve found?

Skiera: I’m also amazed at the number of stations, and the list keeps growing every day. Many people have no idea about all of this free content. I’d be very surprised if you couldn’t find at least one internet station streaming your favorite music.

Examples of some of the stranger stations I’ve uncovered: There’s a station in Washington state that streams live audio from a microphone that’s 23 feet underwater. Trying find that on your AM or FM dial. Then there’s the internet station that has outdoor weather instruments connected to an analog synthesizer, so when you tune in you hear the current weather conditions expressed as a continuously changing frequency.

In the U.K., there’s an internet station that plays nothing but radio station jingles. But I think my favorite Hitchhiker Stations is Payphone Radio Network. The New Yorker who started it calls in and records his thoughts about whatever happens to be on his mind at the time and then plays the recordings over his internet station. The kicker is, he calls in exclusively from public payphones! Yes, Virginia, there are still payphones.

RW: When it comes to curating a list, is there a catalogue of criteria that you are looking for before including them on your list? Does distinctiveness, listenership or other qualities come into play when making a recommendation?

Skiera: My stations have to sound good. Some stations stream at low bit rates or have audio problems like random noise or large gaps of silence. I won’t recommend those. They also must stream reliably. I’m not interested in the guy who streams out of his garage three days a week between midnight and 5 am for seven months out of the year.

The station’s format is the real key. There are a ton of internet stations with the same format, be it classic rock, oldies, country, classical, rap or what have you. Most of them play the same songs. The stations I write about have to do something different.

Perhaps they mix in other types of music not normally associated with the genre, or they have a really different format altogether, or maybe the station’s founder has an interesting backstory that motivated him or her to start their station. Just about anything that makes a station stand out from the other 60,000 radio stations usually gets my attention.

This month I’ve been listening a lot to a Canadian internet station I discovered called “Easy Listening Christmas,” playing artists like Percy Faith, Hollyridge Strings, Manheim Steamroller, Ray Conniff Singers, etc. It’s old-school holiday music for sure but it won’t put you in a coma for Christmas.

RW: How do find out about some of the more obscure radio stations hiding in various corners of the internet?

Skiera: Believe me, it’s not easy. There isn’t a “bizarre” station category one can search under. Most of the time I find my Hitchhiker Stations purely by accident. I will be searching for a particular station and up pops a list of stations in the search results. I scroll through them and see a station with a curious name and tune it. Bingo! I found myself a Hitchhiker Station. But they are few and far between. On average I sample 10 internet stations a day. Sometimes I can audition 100 internet stations and not find a single Hitchhiker Station among them.

RW: Can you share a bit about your music blog and the kind of music/stories you gravitate to?

Skiera: Ordinarily, I try to keep my blog articles (which are free) music-related. I devote a lot of time researching and crafting each one.

In October I traveled to Minneapolis to visit some Prince landmarks and wrote an article about it. In December I posted an article examining strange holiday music, including an album of Christmas music played on hand saws and a group of 80 harmonica players who recorded several Christmas songs in a garage!

I recently posted an article featuring Dean Martin’s backup singers, The Golddiggers. I tracked down five of the original members and interviewed them about the Christmas record they released in 1969 and about working with Martin. I also spoke with the producer of the record.

I also plan to post an exclusive, extensive interview I did with composer Paul Zaza who scored the soundtrack to A Christmas Story among many others.

I love music and radio. I love learning. I love painting pictures with words. And I love interviewing people. Everyone has a story to tell. It could be about anything. I enjoy telling people’s stories as it relates to the subject matter.

Case in point: A few months ago, I recommended a U.S. station called Crooner Radio and interviewed the station’s founder who I knew nothing about beforehand. In the course of my interview, I found out he knew Frank Sinatra and other big-name crooners, some of whom gave him previously unreleased recordings to play on his internet station. He is also a singer himself but never made any records. I love opening a door and finding a wonderful surprise.

RW: Can you been interested in music/radio for some time?

Skiera: I worked in radio broadcasting for almost seven years in various capacities throughout New England, including operations manager, DJ, promotion director, talk show producer, news announcer and board operator. I was a DJ at my college station, WERS(FM), I interned at WBCN(FM) in Boston, and my first radio job was with WPRO(AM) in Rhode Island. Radio is still very dear to my heart. I also worked in consumer audio at companies like B&W loudspeakers, Rotel, and Cambridge SoundWorks.

I took accordion lessons for a year when I was a teenager and piano lessons about 20 years ago, but I didn’t stick with either. I’m not gifted musically. I’m very jealous of people who have mastered a musical instrument. It’s truly a gift from God. Maybe when I retire 20 years from now, I’ll be able to dedicate the time necessary to learn an instrument.

RW: Is there anything else you’d like our readership to know about the kind of work you’re doing here?

Skiera: Internet radio is the new shortwave. You can tune stations a few miles away or from almost any part of the world without needing a shortwave radio and fiddling with an antenna. All you need is a stable Wi-Fi network and an internet radio or an app on your smartphone or computer. I live in an area with poor terrestrial radio reception, so internet radio is a godsend for me, and the sound quality is excellent.

There are so many music lovers who have no idea how much internet radio has to offer (and for free) or who are afraid of the technology. It’s my mission to make the medium less intimidating and expose great — and strange — internet stations for people to enjoy. As my website’s motto says: Stop Searching. Start Listening.

The post Delving into Quirky, Compelling Corners of the Internet Radio Universe appeared first on Radio World.

Susan Ashworth

TASCAM Offers a New Cassette Tape

Radio World
3 years 5 months ago

TASCAM has introduced a new line of analog cassette tape.

You read that right.

It’s been a long time since we got a press release about a new line of cassettes, but TASCAM says “many aspiring and professional audio recording aficionados adamantly maintain that analog recording and the ‘good old days’ of tape will never be replaced by today’s random access digital solutions.”

The TASCAM 424 Studio Master High Bias Type II Cassette tape is being issued in a limited edition. It is meant as a companion to the company’s Portastudio series cassette recorders.

“The 424 Studio Master C-60 was developed for the 50th anniversary of TASCAM as a tribute to their rich heritage,” the company said in the announcement.

[Check Out More Products at Radio World’s Products Section]

“In 1979, TASCAM/TEAC created the 144 Portastudio, the world’s first portable home studio integrating a mixer and multi-track recorder. The 144 truly revolutionized home recording for the masses, and an infinite number of artists and musicians created their music on a Portastudio. The 144 Portastudio and other follow up Portastudios such as the 244, 246, Porta One, Porta-02, 424 series and more used inexpensive and easily found Type II High Bias cassettes. In the early 1980s TASCAM created the legendary ‘gold reel’ cassettes, which are now collector items. But today, any high bias type II cassettes are very hard to find.”

The 424 cassette was developed with National Audio Company Inc., a manufacturer of cassette tape and duplicator of recorded music cassettes. TASCAM quoted Steve Stepp, president of National Audio Company, saying, “These new cassettes are, without a doubt, the optimal media to use on vintage TASCAM Portastudios.”

The design recalls the original TEAC shell with miniature gold reels.

Submit announcements for Who’s Buying What to radioworld@futurenet.com.

The post TASCAM Offers a New Cassette Tape appeared first on Radio World.

RW Staff

VCY America Grabs ESPN Dallas

Radio+Television Business Report
3 years 5 months ago

It’s a 98,000-watt Class C FM serving North Texas and since April 27, 2001 has offered sports talk programming.

Now, “ESPN Dallas” will soon be saying farewell to this over-the-air home.

VCY America is agreeing to purchase the station.

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Adam Jacobson

FCC Cancels Its LPTV, Translator Auction. Here’s Why

Radio+Television Business Report
3 years 5 months ago

No bids, please.

The Office of Economics and Analytics (OEA) and the FCC’s Media Bureau have confirmed the cancellation of bidding in “Auction 111,” a closed auction of mutually exclusive
applications for low power television and TV translator station construction permits.

Why? It’s quite simple.

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Adam Jacobson

Nexstar O&O Ushers NEXTGEN TV In To Harrisburg

Radio+Television Business Report
3 years 5 months ago

The capital of the Keystone State has its first locally based NEXTGEN TV station. And, for those who have televisions capable of receiving the non-backwards compatible signals powered by the new ATSC 3.0 broadcast standard, turbo-charged ABC programming courtesy of the local affiliate can be seen.

It’s thanks to Nexstar Media Group, which has made Harrisburg the 17th market in 2021 to usher in the NEXTGEN TV era.

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Adam Jacobson

Disability Groups: Streamers Should Carry Emergency Alerts

Radio World
3 years 5 months ago
(Photo Illustration by Theo Wargo/Getty Images)

Groups representing Deaf and hard-of-hearing people told the FCC it needs to mandate that emergency alerts appear on wireless devices, and recommends that streaming services like Netflix and Hulu carry them as well.

That came in comments on the FCC’s inquiry into how to improve its EAS emergency alert system.

The FCC is under orders from Congress to report back on the feasibility of extending the EAS mandate to over-the-top video given the rise in popularity of video streaming services.

The groups focused mainly on wireless and the need for those who have cut the TV cord to be able to get alerts via their smartphones, but in a footnote, they also said: “It is also recommended that messages be sent through streaming services so as to be accessible even for consumers who have cut the cord.”

[Previously: FCC Asks: Should Legacy EAS Be Redesigned Altogether?]

They also put in a pitch for government grants to nonprofits (like themselves) “that have direct engagement with the disability community,” so that they can “encourage further training and awareness on how to enhance emergency communications, awareness, preparation, and responses.”

Among the 20 groups joining in the comments were Telecommunications for the Deaf and Hard of Hearing, AccesSOS, American Deafness and Rehabilitation Association, and the Clear2Connect Coalition.

Streamers have argued their OTT services should not be required to participate in that system, saying it would not appreciably increase the number of people who get such alerts, but would appreciably increase the burden on streamers if they were required to deliver them. And the obligation would not just be on the major streaming video services, they said, but Peleton, and even online instructional yoga videos.

Broadcasters and cable operators agree that streaming companies should not be required to carry the alerts.

Cable broadband operators have told the FCC that the combination of already-required broadcast, cable and wireless alerts “are more than sufficient to convey timely and relevant emergency and public safety information to the public.”

Comment on this or any article. Email radioworld@futurenet.com.

The post Disability Groups: Streamers Should Carry Emergency Alerts appeared first on Radio World.

John Eggerton

Quiet at Radio, Walmart Dominates Spot TV, Cable

Radio+Television Business Report
3 years 5 months ago

For whatever reason, Walmart has not been among the biggest brands using spot radio of late.

In contrast, it absolutely dominates Spot Cable, the latest Media Monitors data show.

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Adam Jacobson

A Spot Radio Sputter Ahead of Santa’s Big Day

Radio+Television Business Report
3 years 5 months ago

For the week ending December 19, spot radio was not a medium of choice for some of the biggest holiday retailers or biggest brands across multiple categories.

In fact, Macy’s is the lone big retailer to appear in the latest Spot Ten report from Media Monitors.

That is thanks to some 35,601 spots tied to the retailer for the week. But, that pales compares to the paid spots placed by Indeed or State Farm.

There’s also stagnant activity at the bottom of the Spot Ten report, absent of Walmart or JCPenney, and with no automotive activity of significance.

RBR-TVBR

CBS Stations Select A New Brand Strategy and Development VP

Radio+Television Business Report
3 years 5 months ago

MINNEAPOLIS — A veteran local media executive widely known for his time at CBS-owned WCCO-4 has been selected for the role of VP/Brand Strategy and Development at CBS Stations.

Casey Kespohl will work under CBS News and Stations President and Co-Head Wendy McMahon in the newly created role. He’ll partner with the local management teams at the 27 ViacomCBS-owned television stations found across the U.S. and is charged with “helping to evolve and strengthen” CBS Stations’ branded content and marketing across broadcast, streaming and digital platforms.

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RBR-TVBR

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