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Cirrus Streaming - Radio Streaming Services - Podcasting & On-demand - Mobile Apps - Advertising

Aggregator

A Registered User Milestone for iHeartRadio App

Radio+Television Business Report
4 years ago

The app that offers live streaming of every iHeartMedia radio station and those of its partners, on-demand streaming by recording artist, and an array of podcasts has just hit a big register user milestone.

The iHeartRadio app has officially surpassed 150 million registered users.

In addition, iHeartRadio has now recorded more than 3 billion app downloads, with monthly downloads peaking as high as 28% as compared to last year.

One big reason for this growth: iHeartRadio’s “continued dedication and innovation in the growing podcasting space,” the company says.

“As the No. 1 podcast publisher globally according to Podtrac, iHeartRadio has doubled down on growing our expansive library of iHeartRadio Original podcasts, which includes some of the most-listened-to podcast series in the world,” iHeartMedia posts.

Among its podcasts are “Stuff You Should Know,” “The Ron Burgundy Podcast,” “Fake Doctors, Real Friends with Zach + Donald” and  “Las Culturistas with Matt Rogers and Bowen Yang.”

Additionally, iHeartRadio has added to its streaming catalog, which features millions of songs and curated playlists across a variety of moods and genres.

It’s not just our listeners that are growing, but iHeart’s social audience, too.

iHeartRadio now has a total social audience of 234 million.

Adam Jacobson

No Joke: Laugh Academy Links With Red House For Humor Push

Radio+Television Business Report
4 years ago

Red House Streaming, a CP Communications brand, continues to lure local and national talent seeking professional production and streaming services to its new St. Petersburg, Fla. studio.

Nancy Weil, proprietor of The Laugh Academy, is the latest to call on Red House Streaming studios, leveraging its production sets, broadcast-quality workflow and experienced crew to produce custom videos for her clients.

Red House Streaming studios offers two adjacent 600-square-foot studios, virtual sets, and 5,000 feet of additional production space for content producers. The studio accommodates
on-set talent who wish to live-stream productions or record content for later distribution.

Red House Streaming studios is also equipped to support REMI at-home productions that originate from remote locations, strengthened by an onsite network operations center to monitor and manage all production and content delivery tasks.

A leading authority on the relationship between humor and grief, Tampa-based Weil turned to Red House Streaming studios to bring her customized, content-rich lectures, programs and seminars to clients that could no longer see her on the road.

“COVID-19 put an immediate halt to my live speaking engagements,” said Weil. “I went from being a road warrior traveling at least two weeks a month to being home 24/7.”

Weil soon discovered that the funeral homes, hospice groups and conferences that regularly called on her talents still had a thirst for her unique services. She began offering virtual events through standard conferencing software platforms, but found the results mixed and the limitations frustrating.

“There are so many peculiarities when presenting over a virtual stream, from general video and audio glitches to incorrect meeting links to complete loss of internet connectivity,” she said. “I wanted to present as a professional speaker, and offer a pleasant and consistent experience for my clients. I saw a local news story about Red House Streaming studios, and they seemed to be the right production partner to help me manage these production dynamics that I could not guarantee on my own.”

Weil started shooting in the studio in March, pre-recording her custom programs for each client. Red House Streaming studios shoots and post-produces each video, using Panasonic 4K cameras, NDI networking and Adobe Premier Pro editing as essential workflow components. The videos are subsequently delivered to clients direct and shared on Weil’s Vimeo account, with select clips expected to post to her website in the coming weeks.

“With Red House Streaming studios, every project can now be fully unique,” Weil said. “We load special graphics and create virtual sets specific to each program and client. We frame each shot to ensure the background is perfect for each segment. Props are essential to what we do at The Laugh Academy, and they can accommodate anything I bring onto the set as a part of each program. I can monitor what is happening on displays around the studio to ensure everything is going exactly as planned. On top of everything else, the service is surprisingly affordable, with excellent technical support as needed. The quality of the content my clients receive is absolutely worth the fees I pay.”

Weil is now planning live streams with the Red House Streaming studios team. She plans to continue using the studios after she eventually returns to the road.

— Brian Galante

RBR-TVBR

IBC Show Postponed til December

Radio World
4 years ago

IBC 2021 is being pushed back.

Last month the show’s organizers had said they planned to have the event in September as scheduled, but also that they had plans in place to allow the option of pushing back to December if necessary; and they’ve now triggered that option.

So the show at the RAI Amsterdam Convention Centre will take place Dec. 3 to 6.

IBC CEO Michael Crimp said that, against a background of optimism about the pandemic, the show board met yesterday. “We’ve pleased to announce we’ve decided to hold IBC 2021 in December. The reasons are mainly safety and readiness to engage.”

Crimp said it was important for participants including exhibitors to have a final decision as soon as possible.

As we reported earlier, this year’s event is expected to have more of a festival feel, with a large perimeter to the site that will enable attendees to move around more freely. Attendees are to have their temperatures checked, and there is to be no physical onsite registration.

Crimp said those plans are still in place, though they could be eased if the health environment improves further in the interim.

Crimp said surveys of the show community showed sentiment for the December date.

He said the decision will allow “more vaccinations, clearer systems and more confidence.” He characterized the later date as the “strongest of two [schedule] opportunities.”

“We also had to consider the ability of the supply chain to deliver a high-quality event. We believe that key services such as airports and airlines, and hotels will have established smooth operations and be able to provide a more streamlined service by December.”

The post IBC Show Postponed til December appeared first on Radio World.

Paul McLane

An End-to-End Integration with WideOrbit

Radio+Television Business Report
4 years ago

An end-to-end integration between WideOrbit‘s WO Traffic and WO Automation for Radio applications and the PromoSuite Production radio workflow platform has arrived.

This product, the companies say, can provide benefits to radio stations using PromoSuite Production, including speeding up the order entry process, streamlining cart number assignments, eliminating duplication, and reducing overhead associated with dubbing audio files into WO Automation for Radio.

“This integration will enhance the experience for our radio customers,” said William ‘Dub’ Irvin, WideOrbit’s VP of WO Automation for Radio. “We’re constantly looking for ways to help our clients eliminate errors, reduce repetitive manual tasks, and increase efficiency. The best part is that these improvements positively impact several departments, including sales, production, and programming.”

The new integration has three connection points between WO Traffic, WO Automation for Radio, and PromoSuite Production. First, when an AE enters an order for a client and needs a spot produced, the client information is automatically and seamlessly populated into PromoSuite Production, eliminating duplicate effort in communication. Information only needs to be entered once. Second, cart number assignments are immediately synced between the two systems. Third, audio files are directly dubbed into WO Automation for Radio.

PromoSuite’s Vice President of Product Design & Development, Rey Mena, commented, “Our main priority is and always has been to improve efficiencies for our clients. When you’re able to eliminate unnecessary or tedious processes, you increase productivity and revenue. Regardless of the department, we are continuously looking, building, and creating upgrades and enhancements at the station, market, and company level. This integration showcases the advancements and opportunities we’re delighted to make available to our partners.”

RBR-TVBR

Let MARVEL.ai Scale Your Audio Content

Radio+Television Business Report
4 years ago

RBR+TVBR Sponsored Content

Accelerate your audio content production by easily converting text into high-quality audio content and programmatically transform and localize your audio content to different languages, accents, and more.

Learn more about MARVEL.ai. [read more]

 

RBR-TVBR

Television Broadcasting Services Green Bay, Wisconsin

Federal Register: FCC (Broadcasting)
4 years ago
On March 4, 2021, the Media Bureau, Video Division (Bureau) issued a Notice of Proposed Rulemaking in response to a petition for rulemaking filed by WLUK Licensee, LLC (Licensee), the licensee of WLUK-TV, channel 12 (FOX), Green Bay, Wisconsin, requesting the substitution of channel 18 for channel 12 at Green Bay in the DTV Table of Allotments. As a result of the Commission's Incentive Auction and repacking process, WLUK-TV was repacked from channel 11 to channel 12. For the reasons set forth in the Report and Order referenced below, the Bureau amends FCC regulations to substitute channel 18 for channel 12 at Green Bay.
Federal Communications Commission

Television Broadcasting Services Cedar Rapids, Iowa

Federal Register: FCC (Broadcasting)
4 years ago
On February 12, 2021, the Media Bureau, Video Division (Bureau) issued a Notice of Proposed Rulemaking in response to a petition for rulemaking filed by Gray Television Licensee, LLC (Petitioner), the licensee of KCRG-TV, channel 9 (ABC), Cedar Rapids, Iowa, requesting the substitution of channel 32 for channel 9 at Cedar Rapids in the DTV Table of Allotments. For the reasons set forth in the Report and Order referenced below, the Bureau amends FCC regulations to substitute channel 32 for channel 9 at Cedar Rapids.
Federal Communications Commission

An Eczema Drug Takes Spot TV’s Top Spot

Radio+Television Business Report
4 years ago

There’s little change in activity shown in the latest Media Monitors Spot Ten TV report. However, the big new No. 1 is noteworthy, as it reflects a big investment in broadcast by Sanofi US for a treatment for skin disorders.

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Adam Jacobson

The Missing Middle: Reimagining Public Radio’s Future

Radio+Television Business Report
4 years ago

The Corporation for Public Broadcasting has helped in bring to fruition a study that seeks to offer a better understanding of how young people are engaging with media today.

Roughly 50 tweens and teens were asked, among other things, how they find new shows, apps, or videos. Their findings conclude that young people crave authenticity as they grapple with the issues of today.

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RBR-TVBR

Radio’s Biggest Advertisers Strut Their Stuff

Radio+Television Business Report
4 years ago

The latest Media Monitors Spot 10 Radio report is out, and there’s a lot of iHeartRadio-focused activity for the week ending May 23.

This actually helps paint a clear picture as to what brands are committing to Radio, and which brands use it sporadically or … not at all.

As shown below, Progressive — fueled not by Flo or Jaime but that tongue twister-loving voiceover artist that’s become more omnipresent than ever for the auto insurance brand — is a big No. 1.

The Home Depot is back in action, with a new effort putting it some 5,000 or so play counts behind Progressive.

Their activity pushes Indeed to No. 3 among fully paid advertisers, as Wendy‘s is upping its Radio activity.

GEICO and Babbel are each softer for the week.

 

Adam Jacobson

Salem to Present at Two Investor Conferences

Radio+Television Business Report
4 years ago

With its stock in recovery mode and forward momentum at its secular spoken word AM radio stations, Salem Media Group is gearing up for appearances at a pair of investor conferences.

The first of the two events is scheduled for Thursday morning.

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RBR-TVBR

QUU Picks Bart and Marshall

Radio World
4 years ago
Jackie Bart

Radio advertising support services company Quu has named Jackie Bart and Joe Marshall to newly created roles that will work with operations, sales and programming teams on the local level.

Bart will become customer success manager and Marshall will be technical success manager.

[Visit Radio World’s People News Page]

Quu’s software and services give radio stations the ability to publish visual programming and sales messages on vehicle dashboards.

Joe Marshall

Company Chief Executive Office Steve Newberry said, “Jackie’s deep training experience with Arbitron and Scarborough Research as well as Joe’s technology experience with Harris/GatesAir demonstrate their tremendous professional credentials.”

Send your people news to radioworld@futurenet.com.

 

The post QUU Picks Bart and Marshall appeared first on Radio World.

RW Staff

TEGNA’s New Consumer Marketing Head: A Oprah and Ellen Vet

Radio+Television Business Report
4 years ago

Starting June 28, TEGNA will have a new Director of Consumer Marketing.

It’s a woman who is joining the broadcast TV station owner from a soon-to-conclude daytime talk program seen on some of its own stations, including WGRZ-2 in Buffalo and KGW-8 in Portland, Ore.

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Adam Jacobson

A DFW-Area FM Translator Changes Hands

Radio+Television Business Report
4 years ago

Travel to the south of downtown Dallas along U.S. Highway 67, and chances are you’ll see the Cedar Hill cluster of broadcast media towers off to the west.

Among the transmitters on these towers is one for a recently upgraded FM translator licensed to rebroadcast a HD multicast channel assigned to an Urban One station.

This translator has just been sold.

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Adam Jacobson

Caroline Beasley to Receive National Radio Award

Radio World
4 years ago

Caroline Beasley will receive the National Radio Award this October.

The CEO of Beasley Media Group will be honored during the opening session of the Radio Show on Wednesday Oct. 13.

Six years ago her father George was honored with the same award.

In its very early years, the award tended to be given to on-air talent; Howard Cosell, Larry King and Gary Owens were the first recipients.

But it evolved to an honor usually given to radio executives. Last year’s recipient was Russell M. Perry; past recipients have included Lowry Mays, Jeff Smulyan, Ginny Morris and Mary Quass. A few recipients have served radio in other ways such as Erica Farber and John David.

A full list appears below.

NAB President/CEO Gordon Smith saluted Caroline Beasley for her “business savvy and extraordinary leadership” and “her passion for radio.”

Beasley joined the company that was founded by her father in 1983 and rose to be named CEO in 2017. But she also has a highly visible presence in the commercial U.S. radio industry more broadly. She is chair of the BMI Board of Directors and a member of the FCC Diversity and Inclusion Committee and the NAB Leadership Foundation Board of Directors. She is immediate past chair of the Joint Board of the NAB and a former NAB Radio Board Chair.

George Beasley received the award in 2015.

The Radio Show is co-produced by the Radio Advertising Bureau and the National Association of Broadcasters. This year it will be co-located with NAB Show in October in Las Vegas.

Recipients of the National Radio Award: 2021 Caroline Beasley 2020 Russell M. Perry 2019 Mary Quass 2018 John David 2017 David Field 2016 Don Benson 2015 George Beasley 2014 Bayard “Bud” Walters 2013 Ginny Morris 2012 Dan Mason 2011 Steve Newberry 2010 Charles Warfield 2009 Ed Christian 2008 Bruce Reese 2007 Jerry Lee 2006 David Kennedy 2005 John Dille 2004 Clarke Brown 2003 Erica Farber 2002 Dick Ferguson 2001 Larry Wilson 2000 Jeff Smulyan 1999 Bill Stakelin 1998 Lowry Mays 1997 Mel Karmazin 1996 Ed McLaughlin 1995 Nancy Widmann 1994 Dick Harris 1993 Ted Snider 1992 Martin Beck 1991 Bill Clark 1990 Robert Hyland 1989 Ray Livesay 1988 Ben Hoberman 1987 Douglas Edwards 1986 Gary Owens 1985 Larry King 1984 Howard Cosell

 

The post Caroline Beasley to Receive National Radio Award appeared first on Radio World.

Paul McLane

National Radio Award To Go To Beasley CEO

Radio+Television Business Report
4 years ago

Live and in-person, the Chief Executive Officer of Beasley Media Group will be bestowed with the National Radio Award come October 13 in Las Vegas.

It’s another sign that the pandemic’s concerns are fading as each day at the NAB progresses.

Caroline Beasley will receive the honor during the Radio Show Opening Session on Wednesday, October 13.

The Radio Show, co-produced by the Radio Advertising Bureau, will be co-located with NAB Show and held October 13-14.

“We are thrilled to honor Caroline Beasley and commemorate her impact on the radio industry with the National Radio Award,” soon-to-depart NAB President/CEO Gordon Smith said. “Her business savvy and extraordinary leadership have propelled Beasley Media Group to new heights, while her passion for radio perfectly illustrate the spirit of broadcasting.”

A 38-year veteran of the radio industry, Caroline was appointed CEO of Beasley Media Group in 2017. The company was founded by her father, George Beasley, in 1983.

Caroline Beasley also serves as the chair of the BMI Board of Directors, on the FCC Diversity and Inclusion Committee, and on the NAB Leadership Foundation Board of Directors. She is the immediate past chair of the Joint Board of the National Association of Broadcasters Board of Directors and is a former NAB Radio Board Chair.

 

Adam Jacobson

Discovery Shares Slip Following Key Analyst Downgrade

Radio+Television Business Report
4 years ago

Discovery Inc., which is acquiring WarnerMedia‘s assets in a Reverse Morris Trust-fueled tax free deal, saw its stock slip by 21 cents in midday trading, to $31.26, on Monday.

Could a further slice of its share price be on the way, following a downgrade from an influential Wall Street watcher?

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Adam Jacobson

Silent Mourning: Five AM Radio Licenses Surrendered

Radio+Television Business Report
4 years ago

On Monday (5/24), as RBR+TVBR on April 20 first reported would occur, Cumulus Media ceased analog broadcast transmissions for an AM radio station licensed for 1,000 watts from 1 tower located in southern Westchester County, N.Y. It’s now operating solely in HD Radio, with a Talk format including The Dan Bongino Show the centerpiece of what’s being branded as “AM1230Digital.”

While that transition points to a possibly rosier revitalization of the senior radio broadcast band in an era where Tesla electric vehicles do not come equipped with AM radios and most kHz-based properties benefit from FM translators to attract younger audiences, present-day challenges for some operators may be too demanding to even consider a future benefit.

No less than five AM radio stations in the last week have surrendered their respective licenses to the FCC. In one case, the move avoids a license revocation hearing. But, for the other AMs, it is simply a realization that FM and audio streaming are more viable options for local consumers.

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Adam Jacobson

Is the Car Dashboard Radio’s Next Battlefield?

Radio World
4 years ago

The author is chairman of Digital Radio Mondiale.

This often-rehearsed question resurfaces periodically, as radio is facing an uphill struggle against the digital giants ready to grab the dashboard. Hybrid radio is presented as a survival solution on the move, as cars remain a key driver of audio listening. The term, meaning many things to many people, is very fashionable just now, a bit like “digital,” “convergence” and the “multimedia” mantras of some years back.

Hybrid radio is a mixture of analog radio and digital broadcast sources, like streaming, or a mash between digital radio (mainly of the local variety) and IP-served radio services.

The current orthodoxy goes that, unless good old-fashioned radio or audio also gets all the “bells and whistles” offered by known digital companies and mimics the commercial streaming services provided by the Googles of this world, radio is doomed and will be eliminated from the automotive infotainment landscape.

[Read: Hybrid Described as Radio’s Best Chance]

In the U.S. car listening remains king and accounts for more than 50% of all radio listening. According to the recently unveiled annual 2021 Techsurvey Jacobs Media and Veritone, 58% of the 40,000 U.S. respondents listen to AM/FM radio in the car, 18% to satellite radio while personal music rates some 3%. Smartphones only come in second, after cars. But more interesting are the ranked reasons for radio’s enduring attraction: easy to listen to, familiar hosts, available for free (i.e. no money), while almost half the listeners agreed that being local is radio’s primary advantage.

Hybrid radio definitely addresses the challenge of “easy to listen to”: press a button or voice-activate your car radio and you are in business. If you leave the coverage area, an IP stream will ensure you can continue to listen to your favorite station or presenter, provided the station stream can be accessed and coordinated with the over-the-air broadcast service.

Hybrid can also paper-over the transmission gaps if your car is fitted with an analog or digital local coverage standard which is sometimes unavailable in the targeted coverage area.

And there are other positive considerations, too. Linking terrestrial broadcasting with IP ensures continuity and enhanced service, personalized and visually rich. This is all enabled by the metadata (song title, branding labels, ads, etc.) that accompany the audio on the mobile broadband connection. Above all, hybrid offers the attractive possibility of a back channel. If the hybrid receiver had, or will have in the future, an extra button for notifications: information, ads, tickets etc., these could be sent directly to your phone or email.

The two-way connectivity is the one thing radio has not been able to offer easily until now. The other is offering reliable data about who is listening to what and for how long. This is less of interest to listeners and more to advertisers and broadcasters. It is also the most valuable and remunerative information hybrid radio could provide.

[Read: Audi AG Launches Hybrid Radio in U.S. and Canada]

The proponents of hybrid radio stress that all these attributes, plus the podcasting possibility, are essential for radio’s survival and relevance on the new and flashy dashboards securing its place in the unequal battle with the apps, satellite and Big Tech services.

There are though some big caveats and questions on hybrid radio:

  • Are stations prepared to foot the bill for the streaming fees linked to the smooth transitioning from terrestrial to IP, not to mention the possible copyright fees incurred while the streaming runs in the background ready to pounce only when terrestrial fails?
  • Are broadcasters ready to share the streaming URLs and metadata and to make them available to open platforms or commercial entities, be they big patent companies or even car manufacturers?
  • Is the provision of podcasting essential, considering that in the latest Techsurvey, 6 out of 10 U.S. radio listeners are not bothered by this hot product still not flying after 15 years, not to mention that podcasting does not enhance radio listening but possibly diminishes the radio listening time.
  • If hybrid radio is the way forward, is this a U.S. and developed world project and commercial venture? According to the information released on the United Nations World Telecommunication and Information Society Day (May 17) 3.7 billion people, almost half the world population, remain unconnected to the internet.

From my own DRM perspective, the simpler question is: why hook up with IP, using extra effort and costs, analog and digital radio, when at least one digital radio standard, DRM, fulfills and satisfies already many of the aspirations of hybrid? DRM already includes SPI and what RadioDNS offers. It can connect broadcast and online, benefits from Journaline to ensure rich services, interactivity and personalized content.

A DRM receiver, in car, on a cell or in the kitchen can carry useful information: logos, maps, pictures, weather, traffic, disaster alerts and education material, addresses and ads.

DRM broadcasters can transmit on any analog frequency (AM or FM) up to three audio channels and one data channel, saving both energy, spectrum and money. One or two , or all three audio channels can be flexibly reassigned to data, so that less audio and more data is presented to users by easily programming the “four digital lanes” of DRM on one 96 kHz (FM) frequency or on an existing AM frequency. RSS feeds can be presented on DRM receivers without the need to publish and give somebody else your streaming URL and metadata information.

Does this mean that the big hybrid radio push will suddenly stop? Of course not, radio needs modern digital clothes, future proofing but also a reality check. Why reinvent the wheel when digital radio, DRM, has everything to benefit listeners and broadcasters?

If a camel is a horse designed by a committee, then hybrid is still a cute camel, not a horse yet.

 

The post Is the Car Dashboard Radio’s Next Battlefield? appeared first on Radio World.

Ruxandra Obreja

Meruelo Snags Montana, Who Concludes Lengthy Univision Run

Radio+Television Business Report
4 years ago

MIAMI — If one were to pen a “History of U.S. Hispanic Radio’s Programming Greats,” names such as the late Bill Tanner or Billy Forquet, or perhaps David Gleason, Pio Ferro, Alfredo Alonso and Enrique Santos may come to mind.

Another longtime programming leader, one based in Los Angeles, is also on that list of veteran Spanish-language radio cognoscenti. And, he’s just joined Meruelo Media after a long stint at Univision Communications.

Haz Montana, who had been Vice President of Content for Univision Radio since September 2012 and, before that, the Operations Manager for its Los Angeles radio stations, has taken the role of VP/Audio Brands for Meruelo.

This puts Montana in a key role overseeing what comes out of the speakers for those listening to Rocker KLOS-FM 95.5, Classic Hip-Hop KDAY-FM & KDEY-FM, Hip-Hop KPWR-FM “Power 106” and the lone Spanish-language FM in the Southern California stable, KLLI-FM “Cali 93.9,” a reggaetón-focused station in a direct format battle with Spanish Broadcasting System’s KXOL-FM “Mega 96.3.”

Registration is now open for the in-person, all-informative 2021 Hispanic Radio Conference. For full details, and to lock in your seat at the special Early Bird rate, click here!

 

In a statement released late Sunday (5/23), Meruelo Media President/CEO Otto Padrón explained that “after an exhaustive national search getting to know some of this country’s most amazing leaders in our craft of audio,” the locally based, highly respected Montana chose to accept the position.

“Haz brings the right balance of audio art and hard science perfectly nested within his steady brand of leadership, personal values and the confident entrepreneurial spirit we energetically embrace here at Meruelo Media,” Padrón said. “These very essential qualities are must-have requirements to steer our team and legacy audio brands.”

At Univision, Montana most recently had direct oversight of three national audio brands, found across six markets where Univision owns radio stations.

Montana joined Univision as its L.A. radio operations manager in 2005, following a six-year run as Program Director of the former KSSE-FM “Súper Estrella” — a massively successful rock en español-influenced Spanish Contemporary station that rode the Ricky Martin-to-Shakira wave. He launched KSSE under EXCL Communications, continuing through Entravision and winning a direct format war with the former operator Big City Radio’s “Viva 107.1” in L.A.

Before that SoCal success, which saw him steer KLVE “Radio Amor” and KRCD/KRCV “Recuerdo,” Montana had already made his mark in Hispanic radio. From December 1995 through August 1998, he served as PD of SBS’s WRMA-FM “Romance” in Miami, then a ratings leader following its debut under prior ownership led by Russ Oasis.

Furthermore, from 1991 to 1994, he was a “mental weapon” for Critical Mass Media, extensively traveling to consult with radio clients in their programming and marketing decisions. That experience led him to WRMA, and a career in Hispanic media.

A graduate of Michigan State University, Montana began his career in 1984 at Goodrich Broadcasting, a Grand Rapids operator of Rock and Top 40 stations that today owns a R&B station in the market.

“Hip Hop, Rock, Throwbacks, Latin Rhythm, and passionate talent — this opportunity is a dream come true,” Montana said. “I’m honored to be starting today with Team Meruelo. Above all, I’m excited about chartering a bold path in this newly reimagined role.”

Montana, who has won numerous Radio Ink honors, will be based in Los Angeles and reports to Padron.

Montana recently completed a course on Digital Business Strategy from MIT’s Sloan School of Management.

Adam Jacobson

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