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Radio World

CES 2022: Trends to Watch Revealed

Radio World
3 years 5 months ago
Steve Koenig (Photo by John Staley)

“Innovation tends to accelerate and bunch up, and, as it is unleashed, it levels up society and makes life better. We have seen innovation this past season, and it is waiting for you at CES,” said Steve Koenig, vice president, Research, for the Consumer Technology Association, in his introduction to the “CES 2022 Trends to Watch” session the evening of Jan. 3. This annual rundown gives members of the media a look at the trends  shaping the industry, and previews some of the technologies that await them on the show floor.

The first trend Koenig mentioned was the increase in tech demand. The U.S. tech industry forecast is $505 billion dollars, a new high for the industry. Growth rates in 2020 and 2021 showed elevated annual growth for such a mature industry — hitting nearly 10 percent in 2021.

[For News on CES 2022 and Other Shows See Our Show News Page]

So what are people buying? The CTA’s report shows that consumers are leveling up their tech, with people upgrading to 4K Ultra HD TVs and smart home products, such as doorbells and appliances. They are also investing in premium brands to create a better experience for themselves, as well as services such as connected fitness devices like Peloton. Premium content services are also growing with the average consumer subscribing to eight different paid services.

Koenig also mentioned that alongside consumers there is another group leaning into the tech sector — investors, who are heavily focused on tech startups. The evidence of this trend is here at CES, with 800 startups located in Eureka Park. The key funding areas for these investors are retail tech, financial tech and healthcare.

Of course, the industry is still facing some large challenges with supply chain issues and the chip shortage, but Koenig sees light at the end of the tunnel in both cases. For supply chain, shipping costs are coming down, but delays remain. “It will take the better part of 2022 before we unravel this challenge,” he said.

For the chip shortage, the short-term solution is to squeeze out more product volume from existing facilities. The real fix for the problem, he said, is to build more chip-making facilities. “It will take time to build the facilities,” he said. “Once we have these new fabs, by the middle of the decade, we will also have a greater geodiversity of chip facilities.”

He concluded the presentation by looking at the current trends, which once again include 5G and AI, but now also include the metaverse.

“5G will provide the connected tissue for innovation in this decade,” said Koenig. “In 2022 we will start to turn from a consumer-centric focus of 5G to industrial IoT — increasing cloud infrastructure, digital transformation, and so on. And hand in hand with 5G is AI — AI getting better and better with new use cases.

“The metaverse is closer than you think, he continued. “The building blocks are here — cloud, 5G, haptics, volumetric video — now we have to assemble them into an experience. The next gen of the internet will create immersive experiences and over time — within 10 years — these experiences will become inextricably linked with our reality.”

An example of this can be seen in the Hyundai Mobis exhibit, located in West Hall, where users can create an avatar to test drive a virtual Hyundai.

The other trends to watch for at CES 2022 include Transportation, Space Tech, Sustainable Tech and Digital Health.

The post CES 2022: Trends to Watch Revealed appeared first on Radio World.

Anthony Savona

PILOT Opens for 2022 Innovation Challenge Applications

Radio World
3 years 5 months ago

PILOT, NAB’s technology innovation initiative, is accepting submissions for its Innovation Challenge.

PILOT Executive Director John Clark called it a “showcase for the cutting-edge ideas and innovations that can transform how broadcasters do business and serve their communities.”

The program provides mentorship and promotion to winning proposals, along with an opportunity to demonstrate products to potential customers and investors at the NAB Show in April.

The challenge seeks products or prototypes that align with three focus areas:

“Create” is focused on content creation from pre-production to post, including tools and advanced workflow options for better storytelling.

“Connect” is focused on content distribution and delivery, ranging from cloud computing to new media infrastructure.

“Capitalize” focuses on reach and ROI, including technologies for creating new revenue streams and supporting the content economy.

Individuals, teams, companies, academic institutions and nonprofit organizations are eligible to apply. Finalists will be chosen by early March, with winning proposals announced later that month.

The deadline to apply is Jan. 31 at 5 p.m. EST.

The post PILOT Opens for 2022 Innovation Challenge Applications appeared first on Radio World.

Terry Scutt

NAB Crystal Radio Awards Open for Entries

Radio World
3 years 5 months ago

The National Association of Broadcasters is accepting entries for its annual NAB Crystal Radio Awards, which recognize outstanding community service efforts by radio stations.

NAB member stations can submit an online entry through NAB’s member platform, My NAB, describing their community service efforts for the 2021 calendar year. The deadline for submissions is Jan. 31.

Finalists will be announced in February, with award recipients being honored at the 2022 NAB Show, April 23–27 in Las Vegas.

Entry information is available on the award web page.

Last year’s recipients were KSL(FM), Salt Lake City; KRSP(FM), Salt Lake City; KSTP(FM), St. Paul; WBAP(AM), Dallas; WDRV(FM), Chicago; WFXE(FM), Columbus, Ga.; WJJY(FM), Brainerd, Minn.; WMMR(FM), Philadelphia; WSB(FM), Atlanta; and WWRM(FM), Tampa. Howard University’s WHUR(FM) in Washington received the Crystal Heritage Award.

The post NAB Crystal Radio Awards Open for Entries appeared first on Radio World.

Terry Scutt

U.K. DAB Multiplexes Renewed to 2035

Radio World
3 years 5 months ago

The U.K. government has authorized broadcast regulator Ofcom to renew two national commercial radio multiplex licenses until December 2035. Previously, the Digital One Ltd. multiplex was set to expire in 2023 and the Sound Digital Ltd. multiplex in 2028.

“Radio’s distinctive and much-loved format means it continues to be at the heart of people’s lives,” stated Media Minister Julia Lopez. “Today we are confirming plans to extend radio multiplex licenses until 2035 so our hugely popular stations can continue to reach audiences through digital radio networks and we can give broadcasters the certainty they need to invest in their future services.”

Arqiva owns Digital One, while Sound Digital is co-owned by Arqiva, Bauer Media Group, and Wireless Group Ltd.; both multiplexes are operated by Arqiva. Some 45 stations are carried between the two multiplexes, including on Digital One Absolute Radio, Capital and talkSPORT and on Sound Digital Jazz FM and Virgin Radio.

The government stated that renewing the multiplex licenses via a Legislative Reform Order will provide long-term continuity for national commercial stations to broadcast via DAB.

The post U.K. DAB Multiplexes Renewed to 2035 appeared first on Radio World.

T. Carter Ross

Read the Jan. 5, 2022 Issue of Radio World

Radio World
3 years 5 months ago

Happy New Year!

In this issue, Gary Stigall reports on the test of a hybrid FM radio/Next Gen TV signal in San Diego.

Alan Jurison comments on where virtualization may take our industry.

Fred Jacobs warns against complacency about radio’s position in the dashboard.

And Dan Slentz puts a streamer’s product to good use.

Read it here.

The post Read the Jan. 5, 2022 Issue of Radio World appeared first on Radio World.

Paul McLane

Royal Media Services Upgrades Fourth Station to AoIP

Radio World
3 years 5 months ago

Royal Media Services, based in Nairobi, Kenya, recently upgraded the broadcast studio infrastructure for its Radio Citizen station with a new 12-fader Lawo crystal console.

The move follows successful installations of Lawo mixing consoles and IP infrastructure at other RMS radio stations. Project management and installation were handled by Lawo system integrator Byce Broadcast.

[See Our Who’s Buying What Page]

RMS, Lawo and Byce Broadcast began their relationship in 2017 with the installation of their first Lawo mixing console; crystal consoles are now in service at Radio Citizen’s sister stations Ramogi FM, Inooro FM and HOT96, all also headquartered in Nairobi.

“It is exciting to watch as Royal Media Services sets the pace for the adoption of broadcast IP technology in Kenya,” says Cynthia Odari, head of business development for Byce Broadcast. “RMS were our very first client in Kenya, and we thank them for their continuing trust in us and in Lawo.”

Send news for Who’s Buying What to radioworld@futurenet.com.

The post Royal Media Services Upgrades Fourth Station to AoIP appeared first on Radio World.

RW Staff

Medium-Wave Transmitters Go Dark for Czech Public Service

Radio World
3 years 5 months ago
Český Rozhlas set Dec. 31, 2021, as the “end of broadcasting on medium wave AM.”

Czech public service broadcaster Český Rozhlas shuttered three long- and medium-wave services as the calendar turned from 2021 to 2022.

Until midnight on Dec. 31, 2021, the broadcaster’s Dvojka channel was heard on 639, 954 and 1332 kHz, and the ČRo Plus station was heard on 1071 kHz. The ČRo news channel Radiožurnál was previously heard on 270 kHz.

The Oxford Shortwave Log posted to YouTube audio from the last minutes of Radiožurnál’s longwave broadcast, which had originated from Topolná, Czechia, since 1951.

Český Rozhlas has been working towards shuttering the AM services for several years by increasing the reach of the stations on FM and DAB+ nationwide, as well as via the internet.

According to the broadcaster, about 95 percent of the country can now receive the stations via DAB+.

The post Medium-Wave Transmitters Go Dark for Czech Public Service appeared first on Radio World.

T. Carter Ross

USSI Global Promotes Amanda Flynn

Radio World
3 years 5 months ago

USSI Global promoted Amanda Flynn to vice president of customer relations and business development.

The company is a turnkey provider of network, broadcast and digital signage systems and services.

[Related: “USSI Global Supports SES in C-Band Transition”]

“Flynn will focus on expanding the manufacturer client base for installation and repair services within the company’s Digital Signage and Electronic Business and Consumer Solutions,” it stated.

She is currently director of business development and customer relations.

The announcement was made by CEO David Christiano. Flynn is based at the company headquarters in Melbourne, Fla.

Send announcements for People News, especially roles involving radio engineering, technology and executive management, to radioworld@futurenet.com.

The post USSI Global Promotes Amanda Flynn appeared first on Radio World.

RW Staff

Audacy Podcasts Now on Samsung Platforms

Radio World
3 years 5 months ago

Audacy and Samsung have a new content distribution partnership, making Audacy’s podcast library available on Samsung platforms.

“Listeners will be able to hear favorites from Audacy’s market-leading podcast studios including Cadence13, Pineapple Street Studios and 2400Sports, along with hundreds of other Audacy podcast titles from across its large and rapidly-growing network on the Samsung Free platform and any other Samsung customized or developed apps,” according to the press release.

 [Related: “APM, Audacy Create a Podcast Partnership”]

Samsung Free is a content aggregator introduced in 2020, a successor to its Samsung Daily and Bixby Home platforms.

The announcement was made by Tim Murphy, executive vice president of strategy and corporate business development at Audacy.

The post Audacy Podcasts Now on Samsung Platforms appeared first on Radio World.

RW Staff

FCC Releases Year-End Station Totals

Radio World
3 years 5 months ago

The Federal Communications Commission has released its year-end station totals for 2021.

As of Dec. 31, 2021, the number of licenses were as follows,

Station type

Dec. ’21 Dec. ’20

+/−

AM stations

4,509

4,551

−42

FM commercial

6,676

6,699

−23

FM educational

4,204

4,195

+9

FM translators and boosters

8,866

8,420

+446

LPFM

2,069

2,136

−67

In the past 12 months the number of AM stations fell about 1 percent, continuing a contraction over time in the category, which peaked at around 5,000 in the 1990s.

FM translators and boosters continued their rapid expansion. Ten years ago, their number was 6,099; it has grown 45 percent since then, helped in part by the FCC’s AM revitalization initiative, HD Radio multicast rebroadcasts and other spectrum strategies.

The category of FM educational will grow soon, given that the commission recently opened a window for new noncommercial educational FM construction permits and received almost 1,300 applications.

The full station count, including TV station classes, is on the FCC website.

The post FCC Releases Year-End Station Totals appeared first on Radio World.

Paul McLane

Premium Audio Entertainment Returns to Homes

Radio World
3 years 5 months ago

We are currently seeing a return of premium audio equipment to the home. People are now buying high-end audio/video receivers and surround systems, and they are appreciating high quality audio.

This is a call to action for broadcasters and streaming groups to up their game.

Concept art from Sony for the HT-A9 Home theater system with 360° sound mapping

At the SVG Summit in New York in December 2021, I had the pleasure of listening to Tom Sahara speak. He made several very good points about changing consumer expectations when it comes to audio quality.

The pandemic has encouraged people to choose high fidelity playback for the streams they listen to. No longer are they listening on poor quality speakers via their computers.

During the pandemic, many people invested in improved audio and video systems to reduce the fatigue caused by poor audio. As companies implemented work from home policies, people spent many hours on conference and video calls with poor audio and video quality.

Many will argue that audio quality is more important than visual, however, radio broadcasters have long argued that a listener will continue listening even through static if the content is compelling.

[Read More by David Bialik]

Consumer surveys conducted since the COVID-19 lockdowns of 2020, help us better understand how consumer demands and expectations are changing.

  • Sound quality is the top priority for end-users, with 52 percent of the respondents saying that they are seeking high-resolution or lossless quality audio. (NPD Group)
  • A key growth driver is increased spending on audio content, including streaming and satellite subscription services, as well as podcasting, which grew 12.4 percent. (PQMedia)
  • Voice integration became a sought-after feature as “smart home” purchases increased during the pandemic. (FutureSource)

The audience will continue to expect premium quality audio even when the pandemic ends. People have accepted that they have to pay a premium for better products.

  • After a breakout year in 2019, Apple AirPods and Samsung Galaxy Buds accounted for more than 67 million units sold, a 35 percent increase. (ReportLinker)
  • Apple’s introduction of the high-end AirPod Max demonstrates a belief that consumers are willing to pay for high-quality sound. (FutureSource)
  • Immersive sound is a key feature of the AirPod Max. (Apple)

The ease of installation and the presence of disposable income has encouraged consumers to have better AV systems in their homes.

  • Sound bars have become popular due to their ease of installation and immersive, spatial sound. (ReportLinker)
  • High-end sound bar systems are Dolby Atmos and DTS:X enabled. (ReportLinker)
  • Sales of home theater systems costing more than $1,000 grew by 32 percent in 2020. (ReportLinker)

The advent of smart speakers has introduced many to streaming audio, and listeners have discovered that it can sound good. Smart speakers are the fastest growing home appliance.

  • Smart speakers sales grew by 31 percent in 2020. (ReportLinker)
  • Smart speakers are emerging as common appliances in the American home; 27 percent of all households own at least one. (Edison Research)

The r revolution has happened. 2020 was the year that 50 percent of home televisions were connected to the internet. Online advertising is exceeding 50 percent growth annually! Roku, Fire TV, Chromecast, and Apple TV are common in U.S. households. Over-the-top television is here!

  • Digital video overtakes broadcast TV. In close to half of all countries surveyed, 75 percent of internet users had viewed streaming video-on-demand within the past month. (GlobeNewsWire)
  • Uptake of VOD reached 92.5 percent, further reinforcing the fact that digital video is far more popular among internet users than live TV. (GlobeNewsWire)

The consumer is expecting superior audio.

  • With immersive audio formats, such as Dolby Atmos, video service providers are empowered to deliver a next-gen listening experience for live sports. (TVB Europe)

Audio quality is not confined to the home. Many will discover that streaming will be the crown jewel of the 5G revolution. With low latency, sports streaming will be common.

  • Three apps that saw the most gains in listenership during this pandemic: (Comscore)
  • Pandora ↑ 42 percent
  • iHeartRadio ↑ 11 percent
  • Spotify ↑ 1 percent

The pandemic has pushed the public to want the best quality of audio, and the importance of quality audio is clear. Now the broadcasters have to provide that desired quality or the consumer will go elsewhere. And as consumers continue to invest in high-fidelity, premium audio equipment, broadcasters have to be prepared to always deliver the best.

The author is a consultant who has held technical broadcast and streaming positions for companies like Entercom and CBS Radio. He is co-chair of the AES Technical Committee for Broadcast and Online Delivery and chair of the Metadata Usage Working Group of the National Radio Systems Committee. Contact him at dkbialik@erols.com or 845-634-6595.

The post Premium Audio Entertainment Returns to Homes appeared first on Radio World.

David Bialik

LeGeyt Takes Charge, Names Leadership Team

Radio World
3 years 5 months ago
Curtis LeGuyt (Photo by Jay Mallin)

Curtis LeGeyt is now president and chief executive officer of the National Association of Broadcasters, succeeding Gordon Smith.

The transition had been announced last year. Smith moves into an advisory and advocacy role.

One of the first changes under LeGeyt is the creation of an NAB chief of staff. Michelle Lehman will hold that job while retaining her role as EVP of the Public Affairs department. Lesley Peña is promoted to deputy chief of staff; she was LeGeyt’s executive assistant when he was COO.

Michelle Lehman

“Lehman will serve as an advisor to LeGeyt and assist him in implementing his vision for the organization, guiding cross-departmental initiatives and focusing on NAB’s strategic priorities,” the organization stated. “Peña will serve as an advisor to LeGeyt and Lehman and will work with NAB departments to ensure the association’s operational priorities are met.”

[Read Radio World’s 2021 interview of NAB’s incoming leader.]

Leslie Peña

The association said its senior leadership team under LeGeyt will consist of Chris Brown, executive vice president and managing director, Global Connections and Events; April Carty-Sipp, executive vice president, Industry Affairs; Shawn Donilon, executive vice president, Government Relations; Michelle Duke, chief diversity officer and president, NAB Leadership Foundation; Téa Gennaro, chief financial officer and executive vice president, Finance and Administration; Rick Kaplan, chief legal officer and executive vice president, Legal and Regulatory Affairs; Sue Keenom, senior vice president, State, International and Board Relations; Michelle Lehman, executive vice president, Public Affairs; and Sam Matheny, chief technology officer and executive vice president, Technology.

Karen Wright will continue serving as executive assistant to the president and CEO.

NAB Joint Board of Directors Chairman David Santrella, CEO of Salem Media Group, thanked Smith “for his many years of service as an influential advocate for our industry.” He welcomed LeGeyt as “a proven leader and skilled fighter on behalf of broadcasters.”

The post LeGeyt Takes Charge, Names Leadership Team appeared first on Radio World.

Paul McLane

Ala. Broadcasters Cancel Annual Conference

Radio World
3 years 5 months ago

The Alabama Broadcasters Association won’t hold their annual conference this month after all.

The event was planned for Jan. 21–22. The association is celebrating its 75th anniversary.

“With the Covid Omicron variant spreading like wildfire across our state and already having an impact on many of your stations, we believe it is in everyone’s best interest that we not gather in large numbers just yet,” wrote ABA President Sharon Tinsley in an email.

[Check Out More Events on Radio World’s Calendar]

“We will begin contacting our speakers immediately to arrange to provide the content we had planned in a virtual setting over the next six weeks. Please watch for upcoming announcements about a schedule of news, engineering, sales and management topics to be offered via webinar or Zoom.”

People who paid for registration will receive a refund and will not be charged for any hotel nights. ABA will present its awards virtually this month.

Sam Matheny, Executive Vice President and Chief Technology Officer at the National Association of Broadcasters, was to have been the keynoter of the Friday engineering sessions.

Submit news about your event to radioworld@futurenet.com.

The post Ala. Broadcasters Cancel Annual Conference appeared first on Radio World.

RW Staff

Joshua King Named President/CEO of Kintronic Labs

Radio World
3 years 5 months ago
Josh (left) and Tom King are shown at a transmitter site in South Korea.

The third generation is ready to play a larger role at family-run Kintronic Labs.

The firm started to take shape in 1949 when Louis King left the Radio Corporation of America to pursue his own business in RF, and took its current name in 1962.

[Visit Radio World’s People News Page]

Joshua King began work with Kintronics in 2018 as a project engineer and was named a vice president in 2019. Earlier he was a project engineer for systems integrator Affinity Energy. He holds a bachelor’s degree in electrical engineering from Clemson University.

According to a bio on the company website, “Joshua is excited to be involved in RF (‘really fun’) engineering and looks forward to finding Kintronic Lab’s niche in future technologies like 5G and IoT, while building on the traditions of quality work and great customer service.”

Tom King has led the company since 1983 and is considered one of the industry’s leading experts on AM radio transmission technology. He received the Radio Engineering Achievement Award from the National Association of Broadcasters in 2015 (read our profile). Louis A. King received the same award in 2007 (read our profile).

Send your people news to radioworld@futurenet.com.

The post Joshua King Named President/CEO of Kintronic Labs appeared first on Radio World.

Paul McLane

Poland Opens Tender for National DAB+ Programs

Radio World
3 years 5 months ago

As 2021 came to a close, KRRiT, the Polish broadcasting regulator, announced plans to tender licenses for a nationwide DAB+ multiplex. The multiplex would support a dozen channels.

According to the KRRiT’s announcement, three of the channels will be reserved for public service broadcaster Polskie Radio’s national channels; three will be for nationwide extension of existing program services; and the remaining six will be for new or extended “broadcasting licenses of a universal or specialized nature.” The announcement was made in Polish on Dec. 29.

[Read More of Our Coverage of Radio Around the World]

According to wirtualnemedia.pl, the licenses for three existing services are expected to go to private broadcasters RMF FM and Radio Zet, as well as to the religious station Radio Maryja. All three stations currently are heard nationwide on FM. The six other slots could go to other regional or local broadcasters, or to new players in the industry.

Polskie Radio currently operates DAB+ multiplexes reaching about 67 percent of the nation’s population, although it aims to expand this to 80 percent of the population in early 2022. The three slots on the new national multiplex could expand the reach of existing Polskie Radio programs or could be used for new services, according to wirtualnemedia.pl.

The post Poland Opens Tender for National DAB+ Programs appeared first on Radio World.

T. Carter Ross

Telos Releases V2.0 Software for Infinity

Radio World
3 years 5 months ago

“This update offers a free, updated version of Infinity’s Dashboard software, enhanced compatibility options, and includes firmware for Infinity panels, desktop stations and beltpacks,” the company announced.

[Check Out More Products at Radio World’s Products Section]

VP of Business Development and Infinity Product Director Martin Dyster was quoted: “Infinity has always been plug-and-play due to the design principles inherited from its Livewire+ AES67 heritage, but these v2.0 integration enhancements open up new possibilities for users and make it easier to control Infinity using the broadcaster’s preferred method.”

The update makes Infinity Dashboard Software free for all Infinity users, eliminating a licensing scheme and giving users access to Dashboard’s full feature set.

It also makes Infinity hardware systems compatible wi5th the new Telos Infinity VIP Virtual Intercom Platform. “By adding seamless integration of Infinity VIP with the hardware-based Infinity IP Intercom system, users have a wide range of deployment options for diverse applications; whether on-prem, site-to-site, in the cloud or as a hybrid of these.”

Telos said Axia users also will find the update useful because it contains enhanced integration with the new Axia Quasar AoIP Mixing Consoles. And integration with Elgato Stream Deck is included, making it easier to control the intercom system with that third-party device.

The free download is available via the Infinity portal.

Send your new equipment news to radioworld@futurenet.com.

The post Telos Releases V2.0 Software for Infinity appeared first on Radio World.

RW Staff

Kansas Broadcaster Enters Consent Decree

Radio World
3 years 5 months ago

A Kansas broadcaster has agreed to a consent decree with the Federal Communications Commission that will allow the licensee to renew several of its stations’ licenses and to reassign one FM station to a different entity.

But the consent decree also includes a $7,000 civil penalty that the broadcaster must file before Jan. 1, 2022.

In a Memorandum Opinion and Order issued by the Audio Division of the Media Bureau, the bureau reminded Rocking M Media that FCC rules require broadcast stations to adhere to minimum operating requirements. And in cases where limited or discontinued operation has taken place, the licensee must request special temporary authorization to be permitted to be quiet longer than 30 days.

In addition, any station that is silent for 12 consecutive months will automatically forfeit its license, unless the commission is involved with extending or reinstating the station’s license.

[See Our Business and Law Page]

Rocking M Media filed six renewal applications, as required, before the stations’ licenses were set to expire on June 1, 2021. At the time, Rocking M revealed that each station had been off the air for substantial periods without an STA, although none of the stations had been silent for 12 consecutive months, the broadcaster said.

In 2020, Audio Division Chief Albert Shuldiner sent an inquiry letter after learning that some of the Rocking M stations might be silent without authority. Soon after, Rocking M filed a request for and was granted STAs for a six-month period.

The licensee also acknowledged periods of silence without authority, which it attributed to eviction from the stations’ shared studio location, a failed multistation sale, financial difficulties, and inadvertence by its manager and a contract engineer.

As part of its research, the bureau compiled a chart listing the dates and percent of time the stations were off the air — including the amount of time the station was off the air without an STA. According to the Media Bureau, time spent off the air during the discussed time period ranged from a low of 8 percent to a high of 38 percent. When it came to operating without an STA, one station was off the air 25 percent during that time period, adding up to a total of 329 days.

As part of the order, the bureau and the licensee adopted a consent decree that resolves issues related to the station’s failure to receive an STA. The bureau also agreed to a reassignment application that would grant the KKGQ(FM) renewal application to Pinnacle Media LLC.

The bureau also found that for those stations with a significant record of silence during its past license term — which included KKLE(AM), KIBB(FM), KLEY(AM), KVWF(FM), KWME (FM) and translator K262CQ — the FCC would only agree to renew the license for a one-year term due to a “record of failing to serve the public during [the stations’] substantial periods of silence,” the bureau said.

The bureau, however, concluded that the licensee still possesses the basic qualifications to be a commission licensee. As a result, Rocking M agreed to pay a civil penalty of $7,000 to finalize the consent decree.

The post Kansas Broadcaster Enters Consent Decree appeared first on Radio World.

Susan Ashworth

Late Renewal Could Cost Arizona Station $3,000

Radio World
3 years 5 months ago

An AM station in Arizona is experiencing first-hand what happens when a licensee fails to file a license renewal application on time.

Sonora Broadcasting was required to file a license renewal application for KAPR(AM) in Douglas, Ariz., on June 1, 2021, which was a full four months before the license was to expire. According to the FCC Media Bureau, the application was not filed until five days before the license was set to expire on Oct 1, 2021. According to the bureau, Sonora did not give a reason for the late filing.

[See Our Business and Law Page]

The commission’s Forfeiture Policy Statement establishes a base forfeiture of $3,000 for failing to file a required form, although the bureau may adjust that amount depending on the facts of the case.

While Sonora failed to file its application on time, the bureau said the broadcaster has not committed any other serious violations of FCC rules and did (albeit without explanation, according to the bureau) file the application before the Oct. 1 deadline.

As a result, the bureau notified Sonora it is now liable for a $3,000 forfeiture and must pay the full amount within 30 days. Within that same time period, the broadcaster also has the right to request in writing a reduction or cancellation of the proposed forfeiture.

The post Late Renewal Could Cost Arizona Station $3,000 appeared first on Radio World.

Susan Ashworth

Arkansas Licensee Faces $17,500 Forfeiture

Radio World
3 years 5 months ago

A station licensee faces a $17,500 monetary forfeiture after discontinuing operation of its station and translator without permission and for failing to upload items to its online public inspection file on time.

In January 2020, Southfield, Mich.-based Birach Broadcasting Corp. filed a license renewal application for KTUV(AM) in Little Rock, Ark., and its FM translator, K260DT. At the time, Birach certified that there had been no violations during the license term and that the stations had not been silent for any period longer than 30 days. The licensee also said the stations were currently on the air.

On March 6, 2020, due to what it called “catastrophic failure of its transmitter,” KTUV and K260DT went silent. FCC rules require radio stations to notify the commission within 10 days of temporarily discontinuing operations and must obtain commission authorization to stay silent longer than 30 days.

But an objection filed by an individual on May 20, 2020, revealed the stations were apparently still off the air. Birach balked at the objection, saying that although K260DT was silent, “requests for silent authority are on file.” And while Birach filed requests for a special temporary authority for its stations, those STAs were filed after the initial objection was filed.

The FCC Media Bureau reiterated in its Notice of Apparent Liability for Forfeiture that Birach did not have the authority to remain silent between April 6 (a month after the transmitter failure) and May 22 when it filed the STA. KTUV resumed operations on July 29, 2020, and K260DT on Sept. 25, 2020.

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Among the missteps here: Birach should have notified the FCC of the discontinued operations by March 17, 2020, and it should have filed STAs for each station by April 5. As a result, the bureau found that Birach willfully and repeatedly violated FCC rules.

In a separate incident, the bureau also found KTUV failed to properly maintain its online public inspection file — specifically by failing to upload on time its issues/programs list for 2018, as well as lists for the first and fourth quarters of 2019. In addition, the bureau found several issues/programs lists were missing, including the third quarter of 2020 as well as the first, second and third quarters of 2021.

The bureau also noted that Birach failed to provide accurate and complete information to its pending application. FCC rules state that within 30 days, an applicant must update a pending application if information is no longer accurate. In this case, the application was filed on Jan. 29, 2020, and remains pending. As a result, Birach should have amended its application — and it did not do so.

The bureau moved to propose a monetary forfeiture for each of the licensee’s apparent violations of allowing two stations to remain silent for two-and-a-half months without authorization, failing to update its pending application and failing to upload on time its issues/program lists for KTUV.

As a result, the bureau proposed a total forfeiture of $17,500. At the same time, the bureau did not find the violations serious enough to warrant an evidentiary hearing that could potentially impact approval of Birach’s application renewals. Given the importance of keeping a radio station’s online public files updated, however, the bureau said the application grant is conditioned on Birach submitting a report regarding KTUV’s compliance with public file requirements.

Birach has 30 days to pay the full amount or file a written statement seeking reduction or cancellation.

The post Arkansas Licensee Faces $17,500 Forfeiture appeared first on Radio World.

Susan Ashworth

National EAS Test Showed Improvement, FCC Says

Radio World
3 years 5 months ago

The nationwide test of the Emergency Alert System last August showed improvement over the previous test in 2019, according to the Federal Communications Commission.

“Receipt and retransmission rates increased, while reported monitored source complications markedly decreased,” it stated in a new report.

But the commission said technical glitches that did occur highlight the importance of those EAS stations that are monitored by many others.

“It is critically important that those EAS participants that are widely monitored use testing to ensure their EAS equipment is in reliable working order.”

Some key data points from the report:

The national test message reached 89.3% of EAS participants, up from 82.5% two years ago. Its overall retransmission success rate was 87.1%, up from 79.8%. Seven Primary Entry Point stations experienced technical complications, fewer than last time. And test participants reported roughly half as many complications with receipt and retransmission this time around.

The FCC concluded: “As observed in 2019, the system would largely perform as designed, and it would reach the vast majority of the public, if activated without the availability of the internet.”

That last phrase is important because this particular test — performed by the Federal Emergency Management Agency in coordination with the FCC — used only the broadcast-based distribution system, the so-called “EAS daisy chain,” and did not involve the internet-based IPAWS system. The goal was to check the system’s capability to deliver messages in event that the internet path was not available.

DIGGING INTO DETAILS

The FCC said the large majority of EAS participants reported successful receipt and retransmission. There are more than 25,000 EAS participants, including radio and TV stations, cable TV systems, direct broadcast satellite, SiriusXM, digital audio broadcasting systems and wireline video systems.

Where problems did arise, they involved equipment configuration, performance issues, audio quality, alerting source issues and clock errors. Audio quality issues were the most frequently reported on receipt. The test “shed light on challenges that impeded the ability of some EAS participants to receive and/or retransmit the test alert.”

There are 76 Primary Entry Point stations in the country; seven reported technical complications this time compared to 12 in 2019.

“We believe it is reasonable to infer that these improvements in PEP stations’ performance significantly contributed to the marked increases in receipt and retransmission rates,” the FCC concluded. “Additionally … many 2021 PEP complications resulted in low audio rather than total failure to transmit the nationwide test.”

The PEP stations with problems were in North Carolina, Michigan, Kentucky, Florida, Virginia and American Samoa. Premiere Networks, a satellite-based PEP station that is monitored in several states, also transmitted no audio.

Of those seven PEPs, three relayed low audio; two relayed no audio. One PEP was hit by lightning immediately prior to the test, and another had a communications issue and did not receive the test.

FEMA told the FCC it is taking measures to improve PEP performance. “In particular, FEMA is continuing its work with SECCs in several states to conduct state-level tests on a monthly basis and station-level tests on a weekly basis through the PEP stations.”

Among non-PEP stations, the number of reported problems “significantly declined.”

SECC representatives in New Jersey, Pennsylvania, Georgia, Kansas and Washington did report some local broadcast distribution chain issues.

In New Jersey and Pennsylvania, the issues were specific to one widely monitored source in each state that experienced equipment configuration issues on test day. “Each station engineer reports to have fixed the issue.”

In Georgia, the southern portion of the state relies on intermediary sources like local primaries and state relays to receive the test message. On test day, the FCC said, a state relay experienced a technical issue that disrupted transmission of the alert to parts of southern Georgia. The SECC reports that the issue has been fixed.

In Kansas, one widely monitored EAS participant received the alert from Premiere Networks and as a result retransmitted an alert that lacked audio. This participant was monitored by 41 others, of which 32 reported also retransmitting an alert that lacked audio.

In Washington, the SECC reported that several stations in the eastern part of the state received and retransmitted an alert message with low, and at times, no audio.

Some other findings:

-The overall participation rate of 75.3% was down from 78.6% in 2019. Radio broadcasters had a participation rate of 79.9%, down from 82%.

-The number of stations that apparently don’t know what participant type they are has increased. (Participant types include national primary, state primary, state relay and local primaries 1 and 2.) “Test participants need to better understand their role in the EAS and there is still room for improvement in this regard,” the FCC found.

-There were 2,550 test participants on receipt and 1,506 on retransmission that said their stations did not receive the alert due to audio quality complications. “Many test participants reported background noise, only tones and no message, and/or unintelligible audio.”

-There were 389 test participants that reported equipment performance issues on receipt and 565 on retransmission involving non-working equipment that required returning equipment to the manufacturer. “Participants cited that the equipment simply was out for repair, failed during the test, was missing or malfunctioned.”

-Participation by low-power broadcasters is an area of concern. Low-power stations are required to broadcast the alert, though not required to have equipment capable of generating the EAS codes and Attention Signal.  The commission had made an effort to improve low-power radio and TV participation, reaching out to offer targeted resources including a webinar just for them. Yet LPFM participation in the test was 49.5%, much lower than that of radio overall and down from 2019’s LPFM participation rate of 55.9%. Similarly, LPTV participation (47.4%) was lower than that of TV broadcasters overall and lower than 2019’s participation rate. Of the 3,700 or so radio broadcasters that were expected to file but failed to do so, more than 28% were LPFMs; and of the 1,500 or so television broadcasters that were expected to file but didn’t, almost 70% were LPTVs.

NEXT STEPS

For more details, see the full EAS report.

The commission reminded EAS participants that they can reduce complications by redundant monitoring. “We continue to emphasize the importance of multiple monitoring sources as required by our rules. We also recommend that stations located far from PEP stations consider the viability, technically and otherwise, of satellite sources of the broadcast alert, such as NPR Squawk Channel, Premiere Networks and SiriusXM.”

The FCC also  noted that it has launched a proceeding to improve the accessibility of visual content for alerts that are distributed via the EAS protocol and to explore other possible changes in the EAS system. “We encourage parties with an interest in these issues to submit comments in this proceeding in PS Docket 15-94.”

It also said it will continue to tweak the online forms that stations and others must fill out after a national test. It will explore how to use state EAS plan data to streamline and improve the accuracy of those ETRS filings “such as by educating EAS participants of their EAS designations and better ensuring that they monitor their assigned alerting sources.”

It said it will work with state emergency communications committees to help ensure that state EAS plans, which must be updated by July 5, 2022, assign monitoring sources to participants that ensure redundancy and coverage for areas that have difficulty receiving broadcast signals.

And “EAS participants can address some deficiencies with more education, continued training and improved communication with other broadcasters and their SECC to better understand their role and obligations as a participant in the EAS,” the FCC wrote.

“We encourage EAS participants to use this process to ensure their EAS equipment is in reliable working order, confirm that they are monitoring appropriate sources, and verify that the audio level of the alert is correct. Specifically, it is critically important that those EAS participants that are widely monitored use testing to ensure their EAS equipment is in reliable working order.”

It said participants that fail to receive an alert or note any issues during a scheduled test “should work swiftly and closely with their SECC to identify why and take all necessary steps for corrective action.”

The bureau separately released a report on the nationwide test of Wireless Emergency Alerts that was conducted the same day. It said the WEA test “demonstrates that, on the whole, WEA generally is performing reliably but there is room for improvement.” Many mobile devices erroneously received a duplicate nationwide WEA test message, it wrote, “and there may be opportunities to improve WEA’s reliability.” (Read the full WEA report.)

The post National EAS Test Showed Improvement, FCC Says appeared first on Radio World.

Paul McLane

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