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Aggregator

Chris McDonnell’s Giant Move: From S.F. to N.Y.

Radio+Television Business Report
4 years 2 months ago

In April 1958, just 3 1/2 years after the team won the 1954 World Series, the New York Giants baseball club moved to San Francisco from the Polo Grounds.

Now, a Nexstar Media Group local TV leader is moving from the Bay Area to the Big Apple.

Chris McDonnell has been promoted to VP/GM of WPIX-11 in New York, the former Tribune Media flagship that serves as the CW Network’s affiliate in Market No. 1.

Officially, he will direct WPIX under the terms of a local programming and marketing agreement between Nexstar and the station’s licensee, Mission Broadcasting.

As RBR+TVBR reported on Dec. 30, 2020, The E.W. Scripps Company is no longer the owner of WPIX-11. Mission became the owner through Nexstar’s decision to transfer its option to purchase the station to Mission.

Scripps purchased WPIX as part of its acquisition of eight television stations in seven markets from Nexstar. Those stations were being divested in connection with Nexstar Media Group’s acquisition of Tribune Media in September 2019.

McDonnell has been VP/GM of news-intensive KRON-4 in San Francisco since 2017, and his move to WPIX suggests Nexstar will ramp up WPIX’s news department — one that is largely known as the weekend home of veteran Big Apple anchor Kaity Tong. 

During his tenure at KRON McDonnell and his team added new hour-long weekday newscasts at 3pm and 9pm, while he also orchestrated the launch of KRONOn.TV, a local 24-hour digital streaming news application.

With KRON-TV now producing nearly 20 hours of local news each weekday, WPIX could be poised for a similar ramp-up in a market where Spectrum News NY1 has come under scrutiny for changes since its time as a Time Warner Media property and where Optimum-distributed News 12 has a highly localized approach to its round-the-clock news coverage.

If anything, WPIX’s increased news coverage would be a competitor to CBSN New York, the all-news OTT offering produced by WCBS-2 in New York.

Before joining KRON McDonnell served as the President/GM of NBCUniversal Telemundo Enterprises’ WSNS-TV in Chicago. He also handled sales and marketing for the Telemundo station and, before that, worked in sales management at NBC O&Os WMAQ-5 in Chicago, KXAS-5 in Dallas and at KNSD-39 in San Diego.

 

Adam Jacobson

Meredith Local Media’s New Atlanta DOS? It’s Another Ex-CMG Leader

Radio+Television Business Report
4 years 2 months ago

She’s been singled out by her new boss for her “extensive knowledge and experience” in the Atlanta market, along with her “winning attitude and impressive accomplishments.”

That’s what Debora Collura, GM of WGCL-46 and WPCH-17 “Peachtree TV”, has to say about the stations’ new Director of Sales.

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Adam Jacobson

NAB Names Three To Its Board

Radio+Television Business Report
4 years 2 months ago

There are two new members of the National Association of Broadcasters‘ TV Board of Directors.

Concurrently, there is a new addition to the NAB’s Radio Board of Directors, and it is the person in charge of such radio stations as Easy 93.1 in Miami and K99.1 in Dayton.

Cox Media Group CEO Dan York and WDBD-TV in Jackson, Miss. VP/GM RaMona Alexander have been appointed to the NAB Television Board of Directors.

York succeeded Kim Guthrie in 2020, following Apollo Global Management’s majority acquisition of Cox.

Alexander leads a FOX affiliate at Channel 40 that, while owned by American Spirit Media, enjoys a shared services agreement with Gray Television. She also oversees management of WLOO-TV in Jackson, a MyNetwork TV affiliate licensed to Tougaloo College.

Additionally, Alexander is responsible for Program Acquisitions at American Spirit Media.

But, it is her experience at Gray Television that has been the hallmark of her career. Alexander began her career at WJTV-12, in Jackson, Miss.

Meanwhile, Cox Media Group SVP and Head of Radio Rob Babin has been appointed to the NAB Radio Board of Directors.

Babin recently assumed those duties from now-retired Bill Hendrich.

 

RBR-TVBR

‘La Favorita’: No Longer a Bakersfield Favorite?

Radio+Television Business Report
4 years 2 months ago

SANTA CLARITA, CALIF. — Tune to 1100 kHz in the southern San Joaquin Valley of California, and you’ll get a Spanish-language radio Class B radio station that serves as the Bakersfield affiliate of the Don Cheto radio program.

Will that continue, now that this AM with an FM translator is being sold?

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RBR-TVBR

Pre-Upfront Words To Push ‘A New Vision at Univision’

Radio+Television Business Report
4 years 2 months ago

As the continuing COVID-19 pandemic will put a kibosh for a second-straight year on the annual alcohol-fueled parade of media buyers across Manhattan that’s become Upfront Week, media companies are already gearing up for what will be a zoom-fueled cavalcade of online sessions.

Among those companies is a newly reconstituted Univision Communications. But, ahead of its May 18 digitally delivered affair, Univision’s new CEO will team with Steve Mandala’s replacement in holding a virtual presentation to clients two months ahead of that event.

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Adam Jacobson

Hulu Marketing Head Discovers a Key Discovery+ Rollout Role

Radio+Television Business Report
4 years 2 months ago

In June 2020, he was promoted to Director of Marketing for Hulu, an ascension that came after roles as SVP of Growth Marketing and VP/Subscriber Growth at the Santa Monica, Calif.-based OTT platform.

Now, this former longtime Yahoo! global marketing executive is joining Discovery Inc. to serve as its Global Chief Marketing Officer for its Discovery Direct-to-Consumer unit.

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Adam Jacobson

Rush Limbaugh Dies at Age 70

Radio World
4 years 2 months ago
Rush Limbaugh pumps thumb after being awarded the Medal of Freedom by First Lady Melania Trump after being acknowledged by President Donald Trump during the State of the Union address in February 2020. (Photo by MANDEL NGAN / AFP) (Photo: MANDEL NGAN/AFP via Getty Images)

Rush Limbaugh has died.

His wife Kathryn Limbaugh began the daily Rush Limbaugh today, with an announcement that Limbaugh had passed away.

His website has the headline “In loving memory of Rush Hudson Limbaugh III, the greatest of all time.”

The conservative talk radio icon had been suffering from lung cancer which he announced early last year.

His death brings to an end a remarkable chapter in media and politics.

Widely both admired and reviled, Limbaugh is acknowledged to have been one of the most influential personalities not only in radio but all of media in the late 20th and early 21st centuries.

Fans use terms like “radio revolutionary” and “doctor of democracy” and noted his role in helping the Republican Party, as when it took control of the House of Representatives in 1994. They admired him for raising millions of dollars over three decades for the Leukemia & Lymphoma Society.

Critics despised him for his reach and for his harsh commentary and outrageous comments about political and cultural figures and opponents.

He was inducted into the Radio Hall of Fame in 1993 and the NAB Hall of Fame in 1998, in addition to receiving multiple Marconi Awards for “Syndicated Radio Personality of the Year.”

Many people in radio also consider him to have been a savior of the AM band in the United States, or at least that he gave the band many years of new relevance after its decline as a source of music.

He was also a very profitable business, exemplified for example in 2001 when he signed an eight-year,  nine-figure with Premiere Radio Networks, which at the time called it the highest priced distribution deal “in the history of radio syndication.”

Benztown has published an audio tribute, written and voiced by Bill Royal and produced by Tom Baker. Listen here.

Read a 2020 bio and profile of Limbaugh.

The post Rush Limbaugh Dies at Age 70 appeared first on Radio World.

Paul McLane

Pro Audio & Radio Tech Summit Sponsorship Opportunities Available

Radio World
4 years 2 months ago

This year, the editors of Pro Sound News, Mix and Radio World are working together to produce the first Pro Audio & Radio Tech Summit, to be held virtually on April 1.

Sponsorship opportunities are available for companies that wish to reach professional technology buyers. The free one-day event will feature an exhibition floor, panel presentations, live chat and a host of media presentations showcasing the latest technologies and trends in radio and pro audio.

Watch the video below to learn more about sponsoring the summit.

Pro Audio & Radio Tech Summit will feature two individual program tracks within a single exhibition hall. In each program track, the show will explore how manufacturers and users are making use of both current and emerging technologies in order to keep the media coming.

The post Pro Audio & Radio Tech Summit Sponsorship Opportunities Available appeared first on Radio World.

RW Staff

Iconic Talk Radio Host Rush Limbaugh Dies

Radio+Television Business Report
4 years 2 months ago

WEST PALM BEACH, FLA. — Exactly 50 years ago, a 20-year-old student at Southeast Missouri State University was flunking all of his classes. Yet, he had a passion for one thing: Radio. Armed with some experience at a hometown radio station at age 16, he accepted a position as an on-air personality at a Top 40 radio station in McKeesport, Pa., using the name “Jeff Christie.”

That individual, who celebrated his 70th birthday on January 12, would revert to his birth name in 1983. He’d also transition from music radio to become of one the most renowned and, to some, reviled, talk show hosts in American history.

All are now pausing to reflect on the life of Rush Limbaugh, who has lost his battle with Stage 4 lung cancer.

An official announcement was made just after Noon Eastern on Wednesday (2/17) by Limbaugh’s wife, Kathryn, on his radio show. “Losing a loved one is terribly difficult, even more so when that loved one is larger than life,” she said. “Rush will forever be the greatest of all time.”

The news was shared by FOX News at 12:10pm Eastern.

Limbaugh had been absent from his Premiere Networks-syndicated daily talk show since February 2, with guest hosts called in to substitute. As recently as February 10, show producer “Bo Snerdley,” a.k.a. James Golden, thanked listeners for their prayers. On Twitter, he wrote, “Our prayers are with Rush as he continues to fight the illness he has been afflicted with. We are still praying for a remission.”

That, sadly, did not come.

A FINAL HEALTH BATTLE, OF SEVERAL

America’s Anchorman, the Doctor of Democracy, with talent on loan from God.

For more than three decades, Rush Limbaugh has come to be known as the epitome of conservative American political thought – and influence. In recent months, he staunchly defended former President Donald Trump’s unproven claims that the 2020 U.S. Presidential Election results were flawed, and that he had actually won re-election. This led to Limbaugh’s voluntary deactivation of his Twitter account on January 7, 2021; his last Tweet was on December 17.

On December 23, Limbaugh took to the microphone to provide an update on his health to listeners.

“I’ve had a year now to reflect on the things that really matter, a year to reflect on the things that are completely relevant and important to me,” he said. “And all of you are in that large conglomeration of people and things that are very important to me.”

On February 3, 2020, Limbaugh told his audience, and the world, that he has been diagnosed with “advanced lung cancer.” At the time, he noted it was a struggle for him to make the revelation, after first telling his staff earlier in the day that Monday just over one year ago, when COVID-19 was still largely an Asian pandemic.

The diagnosis, Limbaugh said, was confirmed by two medical institutions, on January 20, 2020. He added that he first believed something was wrong on his birthday weekend of 2020. “I thought about not telling anybody,” Limbaugh admitted. “I thought about trying to do this without anybody knowing, ’cause I don’t like making things about me. But, there are days where I am not going to be able to be here.”

In his Dec. 23, 2020, update, Limbaugh told listeners, “I wasn’t expected to make it to October and then to November and then to December — and yet here I am. Today I’ve got some problems, but I’m feeling pretty good today. God’s with me today. God knows how important this program is to me today, and I’m feeling natural in terms of energy, normal in terms of energy, and I’m feeling entirely capable of doing it today.”

The lung cancer disclosure came 18 1/2 years after otolaryngologists Antonio De la Cruz and Jennifer Derebery discussed a diagnosis and treatment for hearing loss incurred by Limbaugh. As of October 2001, Limbaugh suffered from autoimmune inner ear disease (AIED), a disease that could include sudden hearing loss. He was able to regain much of his hearing with the help of a cochlear implant. It then became known that he had become addicted to Vicodin, resulting in a five-week leave of absence from his daily radio program in order to enter a rehabilitation program. Severe back pain led Limbaugh to begin using the drug.

A THREE RIVERS SPARK, AND FLAME-OUT

As “Jeff Christie,” Limbaugh began his career in radio, first at McKeesport, Pa.-based WIXZ and then at a bigger Top 40 station in Western Pennsylvania, KQV-AM 1410, then-owned by ABC. He would enjoy two stints at KQV in the early 1970s, and in 1974 hosted the night shift as the station transitioned from ABC ownership to Taft Broadcasting. They weren’t fond of Mr. Limbaugh’s persona as Mr. Christie, and by the end of the year he was gone; RBR+TVBR founder Jim Carnegie, under pressure from Taft’s C-Suite, carried out the edict as KQV’s Program Director. Then-General Manager John Gibbs suggested he hang up the headphones and take a radio sales position.

Dejected and with only one job offer, which he declined, Limbaugh went home. Over the next five years, he’d established a home in Kansas City – but not a successful radio career, with stints at KUDL and the former KFIX. In 1979, Limbaugh left the radio business altogether, taking a position with the Kansas City Royals just before their 1980 World Series season. While with the American League baseball club, he’d travel to Europe and Asia. It provided a foundation for his conservative views which would later permeate his Talk radio career.

That began in late 1983, when KMBZ-AM in Kansas City hired Limbaugh to be Limbaugh, with the “Jeff Christie” name gone for good. KMBZ fired Limbaugh. However, he soon accepted a job offer that would fundamentally change his career – and Talk Radio. On Oct. 14, 1984, Limbaugh replaced acerbic talk show host Morton Downey Jr. at KFBK-AM 1530 in Sacramento.

By 1988, fueled by the 1987 repeal of the Fairness Doctrine, Limbaugh’s show was attracting a large audience. It also gained the attention of Ed McLaughlin, the President of ABC Radio.

After 14 years, Limbaugh was rehired by ABC. Talking up Elton John and Blue Swede records was no longer necessary. Yet, the news was hardly headline-making. In the July 2, 1988, edition of Billboard, one line in the “Vox Jox” column stated the following: Rush Limbaugh comes to middays at Talk WABC New York from KFBK Sacramento, Calif., where he succeeded Morton Downey Jr.

While that may have been a minor hire in the view of columnists Sean Ross and Yvonne Olson nearly 33 years ago, Limbaugh’s presence on WABC was just the start of a career revival and explosion. Thanks to syndication, Limbaugh’s program gained a national audience. It also shepherded the transition of Talk radio from largely local programming to shows heard from coast to coast outside of overnights, where the late Larry King revived his career.

By the Persian Gulf War some 30 years ago, Limbaugh’s show was heard on some 650 radio stations.

By 1994, Limbaugh’s program greatly influenced the American electorate by ushering in the Congressional “Republican revolution,” led on Capitol Hill by Newt Gingrich.

The Rush Limbaugh Show would continue to have great influence over U.S. politics and talk radio for the next 27 years, even after his early 2014 move from WABC-AM to rival WOR-AM, which iHeartMedia predecessor Clear Channel agreed to acquire from Buckley Broadcasting in August 2012.

RUSH THE LIFE SAVER

In early February 2020, just days after disclosing his lung cancer diagnosis, he was awarded the Presidential Medal of Freedom at the State of the Union address by President Trump in the House Chamber.

While those who may have disagreed with Limbaugh’s political views and sphere of influence likely scoffed at the honor, Limbaugh for several years used the power of his nationally syndicated radio program to save lives. He and his program are avid supporters of The Leukemia & Lymphoma Society. Thanks to Limbaugh, hundreds of thousands of dollars have been raised in support of blood cancer cures, research and treatment through listener-driven telethons.

This will be part of Limbaugh’s legacy, cemented through a commitment to expressing his beliefs, challenging those in Washington, D.C., he didn’t agree with, and revolutionizing commercial spoken word radio for a generation.

Adam Jacobson

Babin of Cox Joins NAB Radio Board

Radio World
4 years 2 months ago
Rob Banin

Rob Babin has been appointed to the Radio Board of the National Association of Broadcasters.

He is senior vice president, head of radio for Cox Media Group, overseeing 65 stations in 11 markets. On the NAB board, he replaces Bill Hendrich of Cox, who retired.

[Read: Cox Names Rob Babin Head of Radio]

He has been with CMG for 20 years and is also a board member of the Georgia Association of Broadcasters and the Radio Advertising Bureau. He previously was on the board of the Florida Association of Broadcasters.

NAB also announced that RaMona Alexander, vice president and general manager of WDBD(TV), and Dan York, president and chief executive officer of Cox Media Group, were appointed to its TV board.

See other recent People News announcements.

The post Babin of Cox Joins NAB Radio Board appeared first on Radio World.

RW Staff

Entercom Adds UWG Head To Its Board of Directors

Radio+Television Business Report
4 years 2 months ago

She currently serves as the Chair and Chief Executive Officer of UWG, a multicultural advertising and marketing agency.

Now, she’s also a member of Entercom Communications‘ Board of Directors, expanding it to 11 directors.

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Taking the seat on the Entercom board is Monique Nelson.

It’s a notable D&I move for Entercom, whose leadership is largely comprised of Caucasians and tilts male.

Nelson serves as the Chair and Chief Executive Officer of UWG, formerly UniWorld Group, a WPP Company affiliate. Current work includes activity for Colgate, Bacardi, Lincoln, Ford, The Home Depot and the U.S. Marines.

“During this transformative time for our company, we’re excited to welcome Monique to Entercom’s Board of Directors,” President/CEO David Field said. “Her extensive career in advertising and marketing leadership make her an outstanding addition to our board.”

Nelson added, “Entercom is in an exciting and pivotal moment and I’m delighted to be joining the Board. It’s clear Entercom is truly committed to moving the needle significantly in the audio space.”

Nelson has led UWG since 2012. Previously, she was the Global Lead for Entertainment Marketing at Motorola. She currently sits on the Advertising Week Global Board, AdWeek Diversity & Inclusion Council, The Brandeis Board of Trustees, The Eagle Academy Board, as well as the New York Advisory Board for The Posse Foundation, of which she is an alumna, and is a participant in the ANA’s Alliance for Inclusive and Multicultural Marketing (AIMM).

 

RBR-TVBR

A Local Voice, Prematurely Silenced By The FCC

Radio+Television Business Report
4 years 2 months ago

On July 28, 2019, a 27-watt low-power FM radio station “proudly returned live morning radio” to a small city some 50 miles to the north of Columbus, Ohio.

Known for its Warren G. Harding Presidential Home, this Buckeye State burgh’s LPFM was also the final home for a local radio legend, the late Charlie Evers.

Now, that tiny voice of Marion, Ohio has been asked to turn off its transmitter by the FCC. 

It appears, however, that this was an Order that was slightly out of order.

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Adam Jacobson

IBC Show Looking at “Fall Back Dates” in December

Radio World
4 years 2 months ago

The CEO of IBC has revealed the show’s organizers are looking at “fall back dates” in December if they feel the show can’t go ahead as planned in September.

The backup dates are December 3–6, with the show still taking place in Amsterdam.

Michael Crimp said organizers are hoping the show can go ahead as planned in September, but they have “other scenarios” in place if that changes.

He added that they plan to announce any decision by the end of May/early June.

“We’ve had many challenges and many hurdles to overcome,” said Crimp. “Our aim is to reenergize and engage with the industry after challenging year. We feel a sense of purpose of being the catalyst to get everyone back on track.”

Crimp did warn that the show will not be as big as it has been in prepandemic years. “We expect to see a drop off in some international travel,” he said. “We do know that our European audience would make for a really strong show.”

He announced that for those unable to travel to Amsterdam this year, IBC will be launch a digital offering.

Key features of IBC 2021 include:

  • A new IBC Showcase Theatre in Hall 12, with content streamed live to IBC’s digital platforms.
  • Four new free-to-attend content hubs on the show floor, dedicated to Production & Post, Live & Remote Production, Direct to Consumer/ OTT and Content Supply Chain. The sessions from these hubs will also be available on the IBC digital event platform.
  • A new, purpose-built home for the Content Everywhere Hub in Hall 5.

Organizers added that current bookings for IBC 2021 are going well, with 60% of stands booked compared to 2019.

 

The post IBC Show Looking at “Fall Back Dates” in December appeared first on Radio World.

Jenny Priestley

User Report: Chiefs Network Streamlines With Merlin and ViA

Radio World
4 years 2 months ago
The author at work (note Super Bowl ring on his right hand).

KANSAS CITY, Mo. — As the executive producer and co-host of the Chiefs Radio Network, I travel extensively to cover games for Entercom’s WDAF(FM) 106.5 The Wolf in Kansas City, the flagship station of the Kansas City Chiefs.

Throughout my three decades of broadcasting Chiefs games, we’ve been tasked with backhauling games from all over the world. The NFL schedule can send us to any of 31 other markets in the United States, plus the United Kingdom and Mexico.

To accomplish this, we need solutions that are compact and portable but have a tremendous amount of connection flexibility.

We own three rack-mounted Tieline Merlin Plus codecs: one at WDAF, one at Arrowhead Stadium (our home stadium) and one installed in our road kit. We also have a Tieline ViA — which I have found to be a perfect combination of power and portability.

An entire game day broadcast is nearly eight hours including pregame and post-game. Some of this content can occur simultaneously and requires multiple discrete audio routes. And because the content is live, its coordination demands real-time two-way communication.

We solved these needs by utilizing all six channels of the Merlin Plus.

Two channels send stereo program to the studio, and on the return path we receive a mix-minus and a communication feed from the network TV truck that is used to coordinate commercial breaks. Channel 3 is for IFB to and from our studio master control.

Channel 4 is for incoming Report-IT app calls for game updates from around the league. Channel 5 connects the ViA from its remote stadium location — or, because of COVID, an offsite location. Channel 6 connects the ViA in IFB mode for comms with the remote talent. As a setup it’s nuts. But it all works beautifully and reliably!

SmartStream

For us, one of the most important aspects of the ViA is the ability to provision it to any type of network.

The setup allows us to configure a primary, secondary and tertiary network easily. And the SmartStream technology provides connection stability and redundancy by allowing us to utilize multiple networks at the same time seamlessly.

Using the dual SIM internal LTE module here in the U.S., we can choose between Verizon and AT&T LTE networks, or use both simultaneously. Internationally we use LAN and Wi-Fi networks in the same fashion. We have also streamed with USB air cards and USB tethering.

Having six bidirectional streams in a single rack space has made Merlin Plus an ideal choice as our primary codec for the studio, home and away stadiums. Over the years, the Report-IT app has become our primary method of feeding locker room interviews. Report-IT provides the convenience and mobility of a cellphone, with the quality and stability of a professional codec.

For the gameday backhaul we use a dedicated MPLS [Multiprotocol Label Switching] network installed and maintained at each NFL stadium by Brian Kassa at Sports Backhaul Network. It’s incredibly stable and has the bandwidth to support the full use of the Merlins.

For locker room and various feeds, we also use the ViA connected to the internet. We encode using Tieline’s Music Plus algorithm at 48 kHz/256 kbps or Opus voice at 64 kbps and always configure SmartStream Plus redundant streaming (even for our Report-IT users).

During the pandemic we’ve had limited access to stadiums due to the NFL’s COVID isolation and lockdown. For the 2020 regular season, we elected to broadcast from home and not travel. This required coordinating several fiber real-time video and audio feeds from each venue. The ViA became invaluable for allowing us to remote talent off-site while retaining the level of communication needed to coordinate segments in an extremely fast-moving live broadcast.

The need to socially distance or remote someone in quarantine was made possible by the variety of options that the Merlin, ViA and Report-IT apps provide. We had talent broadcasting from home and remote hotels. We even used the ViA to extend one individual across the room so we could meet the NFL’s social distance requirements while maintaining an IFB path for communication.

The codecs generally don’t require any user interaction — we simply load the setup and connect. And having remote access to the equipment has been a game-changer this year, whether using the built-in WebGUI or Cloud Codec Controller. My stadium engineer Nate Wetmore and studio engineer Ken Wolf are responsible for supporting everything from legacy Tieline G3 Commanders to Bridge-ITs to Merlin and ViAs. So the consistency of the user interface and configuration is a huge time-saver.

Post-pandemic, remote control will continue to be important as it can be especially difficult to access equipment physically in large stadiums. Remote engineering removes that obstacle.

The codecs perform incredibly. Setup is simple and the user interface is intuitive given the complexity of both the Merlin and ViA. The sonic quality and network stability make them well suited for critical broadcasts.

The ultimate compliment for a codec is when we hear people say they are surprised that a Report-IT or ViA user is not in the room with us. Combine that quality with the easy administration provided by having everything under one roof of the Tieline Cloud Codec Controller, including Report-IT users, is why the Chiefs Radio Network relies on this equipment to provide Chiefs games to more than 100 affiliates.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

For information, contact Dawn Shewmaker at Tieline US in Indiana at 1-888-211-6989 or for international queries contact Charlie Gawley at Tieline in Western Australia at +61-8-9413-2000 or visit www.tieline.com.

 

The post User Report: Chiefs Network Streamlines With Merlin and ViA appeared first on Radio World.

Dan Israel

iHeartMedia Will Acquire Triton Digital

Radio World
4 years 2 months ago

iHeartMedia plans to acquire audio ad technology company Triton Digital for $230 million.

It said the agreement to buy Triton from E.W. Scripps Company “establishes iHeartMedia as the only company to provide a complete set of advertising technologies and measurement solutions for all forms of audio media.”

It highlighted benefits of the acquisition in expanding its “data and measurement capabilities, programmatic platform, self-service platform for small businesses and podcast capabilities.”

Providing some insight into where iHeart sees the greatest business opportunity, the headline of the press release emphasizes iHeart’s description of itself as a podcast publisher as well as its role in“ all forms of audio media.”

The agreement is subject to certain closing conditions, including regulatory approval.

“With this acquisition, iHeartMedia will now be able to provide audio content to producers and advertisers with an industry-leading full ad service package for streaming and podcasting no matter their size, reach or distribution method,” it stated.

iHeart says it will be the first company in the audio market “to provide four distribution methods for audio, including on-demand, broadcast and digital streaming radio and podcasting, and to service all audio assets programmatically.”

This is the latest in a string of audio-related moves. IHM acquired podcast marketplace Voxnest late last year and, as it noted in the announcement, in the past two and a half years it also acquired buying platform Jelli Inc., social intelligence platform Unified and, through its subsidiary RCS, the cloud-based audio platform Radiojar.

The post iHeartMedia Will Acquire Triton Digital appeared first on Radio World.

Paul McLane

Triton Acquired By iHeart In Multimillion-Dollar Deal

Radio+Television Business Report
4 years 2 months ago

The E.W. Scripps Co., which sold its podcast company Stitcher in October and nearly doubled its return on that investment, was an early entrant into podcasting and digital audio.

Now, it is selling Triton Digital, a divestiture the broadcast TV company says “reflects Scripps’ consistent invest-for-growth strategy that capitalizes on emerging media marketplaces to unlock shareholder value.

The buyer is iHeartMedia, and the price tag is a cool $230 million.

For Scripps, the deal represents a cash-on-cash return of 1.6x for a business Scripps acquired in late 2018.

Triton is a global technology and services leader for the digital audio and podcast industry. Scripps bought the company for $150 million, and it has been accretive to segment margins since then, it says.

Operating in more than 50 countries, Triton Digital is a global advertising technology SaaS platform for audio streaming, podcasting and metrics that, Scripps says, “enables publishers to monetize their audiences by providing digital audio measurement and advanced audio-focused infrastructure to maximize the yield of audio inventory.”

The company’s two lines of business focus on advertising infrastructure and measurement, including a content delivery system that distributes digital audio streams and podcasts to listeners while dynamically inserting ads and measurement business that tracks audience and creates ratings reports.

In addition to measuring audiences for customers, Triton Digital operates a programmatic marketplace for digital audio programmatic ad-buying and Yield-Op, a Supply Side Platform (SSP) that specializes in audio and enables programmatic audio advertising.

Neal Schore

“We are thrilled to join the iHeartMedia family,” said Triton Digital CEO Neal Schore. “We remain deeply committed to providing the world’s broadcasters, podcasters, and online audio publishers with continuously innovated, best-in-class solutions and services for online audio management, advertising, and consumption data, and are well positioned to enhance iHeartMedia’s value proposition to audiences and advertisers.”

 

A CHAPTER CLOSES FOR SCRIPPS, AND IS WRITTEN FOR iHEART

“The sale of Triton creates significant value for Scripps’ shareholders and employees, as we close a chapter on our growth of digital audio businesses through a series of successful transactions and a focus on prudent operations, including our core TV business,” said Scripps President/CEO Adam Symson. “We believe iHeartMedia is a perfect fit for Triton Digital given their focus and position as the leader in audio solutions.”

For iHeartMedia, “Adding Triton Digital and its industry leading services to the iHeartMedia audio ecosystem establishes iHeartMedia as the only company with a total audio advertising technology and data solution,” said Bob Pittman, the company’s Chairman/CEO. “iHeart, with our strong leadership position in podcasting, digital radio and broadcast, already provides cutting edge audio management, programmatic and data solutions for the broadcast radio, digital audio and podcasting industries, and this acquisition further strengthens our position as the No. 1 audio company in America and provides unique — and critical — solutions for the industry and for advertisers.”

The company adds that with this acquisition, a significant investment in the podcasting business, iHeartMedia “will now be able to provide audio content to producers and advertisers with an industry-leading full ad service package for streaming and podcasting no matter their size, reach or distribution method.”

In particular, iHeartMedia claims it is now “the first and only company in the audio market to provide four distribution methods for audio, including on-demand, broadcast and digital streaming radio and podcasting, and to service all audio assets programmatically.”

Scripps Chief Financial Officer Jason Combs said the company would use proceeds from the Triton sale to pay down debt.

“We remain focused on bringing our debt back down to our company’s historical levels as quickly as possible while at the same time we reap the financial benefits of being a new leader in national television as we have been in local broadcast,” Combs said.

For iHeart, the Triton purchase follows post-bankruptcy emergence investments in the audio technology space for iHeartMedia. In October 2020, the company once known as Clear Channel Communications acquired Voxnest, a marketplace for podcasts and provider of podcast analytics, enterprise publishing tools, programmatic integration and targeted ad serving. This followed the purchases of Jelli Inc, purveyors of technology that offers marketers a digital-compatible buying platform for broadcast radio that includes programmatic buying, data targeting and creative optimization; Radiojar, which developed a cloud-based audio playout platform through iHeartMedia-owned RCS; and Unified, a social advertising data intelligence platform and solutions provider.

Transaction highlights:

  • Sale price of $230 million, representing an internal rate of return after taxes in the mid-20% range and a low teens EBITDA multiple
  • Proceeds from the sale used primarily to pay down Scripps debt
  • Tax liability effective rate of 5%
  • The move of all Triton employees to iHeart

The Triton transaction is expected to close in the first quarter, pending Hart-Scott-Rodino clearance.

Adam Jacobson

TuneIn Expands Its Executive Leadership Team

Radio+Television Business Report
4 years 2 months ago

While the nation’s leading radio broadcasting companies have shunned it, TuneIn remains one of the leading live streaming and on-demand audio platforms on a global level.

As such, it is ramping up its C-Suite with the appointment of a Chief Technology Officer, a Chief Revenue Officer and Chief Product Officer — among other changes.

The moves see Paul Brody become CTO, Rob Deichert as CRO, and Joe King taking the CPO role.

At the same time, Yasmin Coffey has been elevated to Chief Legal Officer (CLO).

Kevin Straley will continue to serve as Chief Content Officer (CCO).

The news comes on the heels of the recent appointment of Richard Stern to Chief Executive Officer and a new investment in TuneIn led by Innovation Endeavors.

Additionally, six new members will join TuneIn’s Board and bring their deep expertise in the areas of business, technology, media and entertainment: Eric Botto, Steve Cakebread, Sukhinder Singh Cassidy, Greg Coleman, Rick Scanlon and Harpinder Singh.

Previously, Brody served as CTO at Rakuten Advertising, where he built and operated the technology for the company’s ad platforms and innovative e-commerce measurement business. Before that, he served as Chief Product Officer for CleverTap, co-founder and CEO of Sococo, and Vice President of Products for Yahoo!

Deichert was formerly CEO at Eyeview, where he refactored the product roadmap, business processes and developed a plan to continue scaled growth.

As CPO, King is responsible for TuneIn’s product management and interaction design. Previously, he served as Principal Product Manager, Kindle Content at Amazon.com.

 

RBR-TVBR

A Quarterly Dividend is Approved by TEGNA’s Board

Radio+Television Business Report
4 years 2 months ago

WASHINGTON, D.C. — The Board of Directors for the company that owns such key NBC affiliates as WXIA-11 in Atlanta and WGRZ-2 in Buffalo has declared a dividend payable April 1.

The news came ahead of the Closing Bell on Wall Street, which saw TEGNA shares reach close to $18 in a positive trading session for the broadcast TV company.

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RBR-TVBR

Live Remote Broadcasting in Your Browser

Radio World
4 years 2 months ago

This article appeared in Radio World’s “Trends in Codecs and STLs for 2020” ebook.

Working from home or remote studios is in “normal” times a challenge for broadcast and voiceover talent. When one factors in a pandemic lockdown and the ensuing scramble to move studio-quality audio back and forth, a service like ipDTL can make that task less of a challenge.

The ipDTL service has been enjoying more attention during the pandemic but has been around for several years. It comes from In:Quality, which “operates a worldwide network for the real-time transmission of professional audio.” The company says its users include the BBC, New York Public Radio, NPR and Global Radio.

[Check Out More of Radio World’s Ebooks Here]

The service is based on the open source Opus codec. Founding Director Kevin Leach, a former radio host and BBC sound engineer, says ipDTL runs smoothly on any modern computer: “If you can browse the internet smoothly on your computer, then you can run a stable ipDTL connection.”

To send a link.

A subscriber of the service can send a link to another location, where that link is opened in a browser and a bidirectional studio quality audio link would then be established.

ipDTL has additional capabilities: With the proper configuration, the subscribing user can also connect to legacy ISDN codecs (where still available) and even connect to a voice grade telephone. With SIP protocols and using a sip.audio account from In:Quality, a subscriber can also connect to hardware codecs (e.g. Comrex, Tieline, Telos, JK Audio) that are configured for Opus connections.

It is also compatible with G.722 and G.711 over IP. There is a video angle as well, VP8 and H.264. And it lives on Windows, Mac, Linux and ChromeOS computers.

Subscription Levels

There are three levels of ipDTL annual subscriptions: Bronze users can send one connection link, Silver users two and Gold users may send up to four simultaneous connections. A version allowing six connections is in the late stages of testing. The Gold subscription also includes basic video functionality. Prices start at $15 per month. Subscribers get a sip.audio address (XXXXX@sip.audio), which allows SIP-enabled devices to talk to the subscriber.

How does this work in the real world? I tested the service recently during a virtual NAB Show demonstration with Leach.

There are some caveats from my experience.

All codec developers (software and hardware) caution users that sending a true mix-minus is vital for proper operation of the codec. For example: On a mixer like the Allen+Heath ZED 10, there are three ways to send a mix-minus (aux send, FX send and record bus). The best one that seems to work with USB connections is the record bus, where inputs other than the USB connections are selected (mics, etc.). The USB out can be fed from the record bus. If the main mix were fed to the USB out, that would create a feedback loop. A standalone codec could be fed mix-minus from the aux or FX send.

Screenshot

During our demonstration, I fed the record bus with the USB output. When Leach talked about the importance of a mix-minus, I created a feedback loop (which happens when the codec or other receive channel is fed back to the other end of the connection).

Unless a laptop is within visual distance of a wireless router, and it is the only device on the network at that particular time, in:Quality strongly recommends a wired connection to the network router when using the ipDTL service. With a wired gigabit connection over Cat-6,  I experienced no connection problems.

Leach says multiple SIP connections with ipDTL at the studio end provide maximum flexibility. He said devices such as Wheatstone SwitchBlade and Comrex Access MultiRack can receive multiple duplex real-time SIP streams from remote sites and guests. The studio so equipped can send a connection link to talent and guests so they can connect easily to the SIP hardware. There’s also an option to connect from one of the company’s range of SIP Opus Codecs.

Subscribers may opt to be listed in a database of ipDTL users around the world for an extra charge. That’s a useful resource for audio reporters and producers, and it could also help those producers and reporters to connect with newsmakers and subject matter experts.

An online network map lets the user find a studio, search for voice talent or see which radios stations are “ipDTL ready.”

“For too long now, there has been uncertainty and trepidation about the migration from ISDN to IP codecs,” Leach said. “With SIP now, it feels like we’re finally past the point of no return, but there’s still some work to do. A newspaper journalist should be able to ask a radio producer what SIP address they should call for an interview, and get a confident reply. Looking at the messages in our support inbox, we’re not quite there yet.”

Paul Kaminski, CBT, is a longtime Radio World contributor, and host and producer of msrpk.com’s “Radio-Road-Test” program. Twitter: msrpk_com; Facebook: PKaminski2468

 

The post Live Remote Broadcasting in Your Browser appeared first on Radio World.

Paul Kaminski

DAB+ Takes Center Stage

Radio World
4 years 2 months ago

The author is president of WorldDAB.

Last year was a pivotal year for DAB+ radio — with a string of developments providing clear evidence of the standard’s progress:

  • In October, Germany launched its second national multiplex — offering 16 new services to a potential audience of 67 million people;
  • In December, Switzerland confirmed that it would be switching off FM radio — starting with the public broadcaster in 2022, followed by the private broadcasters in 2023;
  • Also, in December, the European Electronic Communications Code (EECC) came into force — requiring all new car radios in the EU to be capable of receiving digital terrestrial radio.

Device Sales

These market developments have been mirrored by strong consumer demand for DAB+ radios:

  • DAB/DAB+ consumer receiver sales increased by 12% in 2020 (analog sales dropped by 21% over the same period);
  • In Q4, the DAB/DAB+ performance was even stronger with sales up 22% year-on-year.

Consumers are moving away from FM-only devices to the more compelling offer available on DAB+ (increased choice, more consistent audio and, increasingly, color displays).

DAB’s Green Credentials

At the end of last year, a major advance was made when the BBC published its report into the energy footprint of its radio services. Presented at the WorldDAB General Assembly, this report broke new ground as, for the first time, it considered energy consumption across the whole of the radio full value chain: production, distribution, and consumer listening.

A BBC report indicated that DAB was the most energy-efficient platform for radio distribution.

The conclusions highlighted the greater efficiency associated with DAB radio:

  • 28% more efficient than FM (per listening hour);
  • 59% more efficient than IP (per listening hour).

These findings are clear evidence of the critical role which DAB/DAB+ plays in creating a sustainable future for radio — a priority of increasing importance for broadcasters and policy makers.

Prospects for 2021

The next major development for DAB+ in Europe will be the launch of national (i.e. metropolitan) services in France.

The media regulator, the CSA, has given the green light for services to be on air beginning July 15. Two national multiplexes offering 25 services will be available, with the key focus on the major road networks — starting with the highways between Paris and Marseille.

Conclusion

The EECC directive, coupled with strong developments in key European markets including France and Switzerland confirms that DAB+ is established as the core future platform for radio in Europe.

The strong growth in DAB+ receivers in cars and consumer radios underlines this progress, and the significance of these advances should not be understated.

  • Radio’s role as the most trusted source of news and information has rarely been more important;
  • In times of emergency, broadcast radio consistently provides levels of service reliability unmatched by mobile networks;
  • The environmental advantages of DAB radio are clearly evidenced in the BBC report into energy consumption.

The challenge for us now is to maintain this momentum. Digital broadcast platforms lie at the heart of radio’s future. Now is the time to ensure we have the policy frameworks and strategic focus to deliver on this promise.

The post DAB+ Takes Center Stage appeared first on Radio World.

Patrick Hannon

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